April 24, 2024 Maria W. Faust Sonnet Contest: Celebrating the Life and Legacy of Ted Haaland on Tuesday, April 30, 2024 at the Blue Heron in Winona, Minnesota

Ted Haaland (Photo: Mary Farrell)

It is difficult to say a permanent goodbye to a friend. For many, many people, Ted Haaland was not only a friend but an inspiration. When his wife, Maria, died, he channeled his grief into writing poetry–an art form she loved but one that he had never tried before. For the rest of his life, he wrote at least one–sometimes several–poems each day, many in the sonnet form. Ted’s remarkable understanding was that new learning, even in harsh circumstances, is a way forward into new life.

Since Ted’s death on February 17th, I have been thinking a lot about how one person’s actions can have an enormous ripple effect on other people, even those the person has never met. Without the Maria W. Faust Sonnet Contest, I might never have met the friends I have in Winona, including Ted, or been drawn into the rich arts life of this beautiful Minnesota river town.

Without the Sonnet Contest, I might never have been re-energized about the possibilities of the sonnet form. I suspect that this is true for hundreds and hundreds of other poets who have been inspired by the contest’s existence and by the extraordinary examples of contemporary sonnets that win prizes each year. Sonnets are judged blind, and after winners are selected each year, it is clear that the contest is drawing entrants and winners who are young or middle-aged or older; who come from our region or country or from other countries on other continents; who are emerging poets–perhaps who have never had work published before–or are experienced poets with many books published. This contest is truly open to new possibilities within the sonnet form, open to anyone who wishes to try their hand at writing one.

Next Tuesday, Ted’s friends in Winona will be celebrating his life and his living legacy. At the same time, we will be celebrating National Poetry Month and the 2024 launch of the ongoing Maria W. Faust Sonnet Contest which he has endowed. Tim and I plan to attend. We would love to see you there, if you can make it! LESLIE

Dock: Lake Winona (Photo: Leslie Schultz)

Below is the press release for the event on April 30th, provided by the managing director of the contest, Heidi Bryant.

WINONA, MN — The Maria W. Faust Sonnet Contest invites you to celebrate the opening of this year’s contest and National Poetry Month on Tuesday, April 30, 2024, from 6:30 9:00 pm at theBlue Heron Coffeehouse (162 W 2 nd St.). Light refreshments will be served. This event is free and open to the public.

Live music by Flutistry will accompany social time starting at 6:30pm. At 7:00pm, we will celebrate the life and legacy of the contest’s benefactor and former director, Ted Haaland who passed away on February 17th . Ted spent the years following the death of his beloved Maria writing poetry every day. Under his leadership, a small, local contest spread around the world, with the 2023 event receiving 700 sonnets from poets in 43 US states and 16 other countries. Ted’s friends and admirers are invited to say a few words and/or share a poem inhis honor at this event. Friends are also invited to attend a memorial service for Ted on Friday, May 3 rd at 10am at Hoff Funeral Home in Winona.

About the Maria W. Faust Sonnet Contest:
The Maria W. Faust Sonnet Contest is an annual event that welcomes entries from around the world to Winona. Prizes totaling $3,200 are awarded in four categories: Top Four, Regional, Youth, and Laureates’ Choice. The contest honors the memory of Maria W. Faust: a Winona State University graduate in Communications; a twenty-year resident of Winona; an avid supporter of varied local arts; and a lover of poetry. Maria’s husband, Ted Haaland, is the contest’s benefactor, with the goal of keeping Maria’s love of poetry alive in our community and beyond.

The judges’ panel includes Winona’s Poets Laureate James Armstrong, Ken McCullough and Emilio DeGrazia, and Leslie Schultz of Northfield, MN. Heidi Bryant is the managing director of the contest. Great River Shakespeare Festival and River Arts Alliance are partners. To learn more about the Maria W. Faust Sonnet Contest, please visit sonnetcontest.org or email entries@sonnetcontest.org. Information about National Poetry Month is available at poets.org/national-poetry-month.

Welcome Center, Winona, Minnesota (Photo: Leslie Schultz)

No Joke! It is April 1, 2022–Welcome to Poetry Month! Spotlight on “Among School Children” by William Butler Yeats; Context for My Poem “Awash”; and Links to Liz Boquet’s April Poems and Robert Pinsky’s Poem “ABC”

The poem below is one I first encountered in my early twenties. It is one that I return to again and again, always seeing something new, hearing something new. Rereading is, for me, a kind of passive revising, I suppose. Frequent rereading of certain texts overlays insight upon insight. This, for me, provides a deep kind of pleasure that is a counterpoint to the pleasure of encountering the startling new.

As I reread Yeats’s poem afresh this morning, I am thinking about how we tend to regard time as unspooling in a linear, storytelling way– but that it is more holographic and holistic than that, and how we cannot help sometimes noticing that we are all ages at once. Every blank hour or blank page is a new school room. While there are never any guarantees there is always the possibility of transport through embodied effort–and by releasing of effort, shifting from doing to simply being.

Probably you know this poem and see something entirely different in it? I would love to know where it takes your thoughts.

Among School Children

BY WILLIAM BUTLER YEATSI

I walk through the long schoolroom questioning;
A kind old nun in a white hood replies;
The children learn to cipher and to sing,
To study reading-books and history,
To cut and sew, be neat in everything
In the best modern way—the children’s eyes
In momentary wonder stare upon
A sixty-year-old smiling public man.

II

I dream of a Ledaean body, bent
Above a sinking fire, a tale that she
Told of a harsh reproof, or trivial event
That changed some childish day to tragedy—
Told, and it seemed that our two natures blent
Into a sphere from youthful sympathy,
Or else, to alter Plato’s parable,
Into the yolk and white of the one shell.

III

And thinking of that fit of grief or rage
I look upon one child or t’other there
And wonder if she stood so at that age—
For even daughters of the swan can share
Something of every paddler’s heritage—
And had that colour upon cheek or hair,
And thereupon my heart is driven wild:
She stands before me as a living child.

IV

Her present image floats into the mind—
Did Quattrocento finger fashion it
Hollow of cheek as though it drank the wind
And took a mess of shadows for its meat?
And I though never of Ledaean kind
Had pretty plumage once—enough of that,
Better to smile on all that smile, and show
There is a comfortable kind of old scarecrow.

V

What youthful mother, a shape upon her lap
Honey of generation had betrayed,
And that must sleep, shriek, struggle to escape
As recollection or the drug decide,
Would think her son, did she but see that shape
With sixty or more winters on its head,
A compensation for the pang of his birth,
Or the uncertainty of his setting forth?

VI

Plato thought nature but a spume that plays
Upon a ghostly paradigm of things;
Solider Aristotle played the taws
Upon the bottom of a king of kings;
World-famous golden-thighed Pythagoras
Fingered upon a fiddle-stick or strings
What a star sang and careless Muses heard:
Old clothes upon old sticks to scare a bird.

VII

Both nuns and mothers worship images,
But those the candles light are not as those
That animate a mother’s reveries,
But keep a marble or a bronze repose.
And yet they too break hearts—O Presences
That passion, piety or affection knows,
And that all heavenly glory symbolise—
O self-born mockers of man’s enterprise;

VIII

Labour is blossoming or dancing where
The body is not bruised to pleasure soul,
Nor beauty born out of its own despair,
Nor blear-eyed wisdom out of midnight oil.
O chestnut tree, great rooted blossomer,
Are you the leaf, the blossom or the bole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?


W. B. Yeats, “Among School Children” from The Poems of W. B. Yeats: A New Edition, edited by Richard J. Finneran. Copyright 1933 by Macmillan Publishing Company, renewed © 1961 by Georgie Yeats. Reprinted with the permission of A. P. Watt, Ltd. on behalf of Michael Yeats.Source: The Collected Poems of W. B. Yeats (1989)

My own poem for today, “Awash” was sparked by an early venturing out into the dark garden. How interestingly reliable and magical the world always is a few feet from our lamplit living room!

As I set out on this April poem journey, I am heartened by knowing that thousands of other people all over the world are engaged in similar quests. My friend, Liz Boquet, is also undertaking the daily challenge to write and share a poem each day this month. Her work is always thoughtful and delightful. Here is a link to her website.

Finally, in a salute to the alphabet, here is a link to Robert Pinsky’s masterful and playful short poem “ABC” from 1999 and another to a summary of his storied career as a public poet (including a term as Poet Laureate of the U.S. beginning in 1997.)

Happy Reading and Writing!

April 1, 2021: Welcome to National Poetry Month! Spotlight on DON’T READ POETRY by Stephanie Burt; & An Overview of My Plan for Sharing Poems This April

Welcome to National Poetry Month, when discriminating readers everywhere celebrate our most ancient and ever-new literary art form! As many of you know, I am modifying the way that I share a new poem written each day this month, a challenge I have enjoyed taking on each April since 2016. (Details can be found HERE.)

In addition to writing and sharing new poems, I am planning here to spotlight one book each day from my personal library, something that has deepened my knowledge of and pleasure in this most ancient of literary art forms. I am inspired this year by a quote from Marcus Tullius Cicero, first brought to my attention by former neighbor and passionate reader and writer, Barbara Bonner in 1985–a pithy bit of wisdom that I think of almost every day:

“If you have a garden and a library, you have everything you need.”

(For those who prefer the original, ” Si hortum in bibliotheca habes, deerit nihil”)

And for an interesting commentary on clarifying that clarifies the translation and provides a sense of historical context for the quote, please take a look at this lovely blog post at Lost and Found Books.

In that spirit, I am today sharing a few photographs of our inner and outer gardens, and will post updates on April 30, 2021. It is always such a transformation in Minnesota, those weeks from the end of March until the beginning of May. Here is what it looks like at the moment, inside our house and out.

We have had blooms inside recently from the plants we have wintered over in our east and south windows. A good thing, as now that the snows have receded, it still looks quite bare outside.

Yet, upon closer inspection, there is some greening of the grass this week, and even a few hardy blooms.

We are currently watching the emerging spears of our stalwart daffodils, daylilies, and newly planted spring bulbs, including an assortment of tulips and Asiatic lilies, along with white scilla. Yesterday, we saw our first returned robin of the year. Soon we will be raking away last year’s mulch of leaves, watching the new leaf buds open into green canopies, hanging the wren houses, repatriating the indoor plants to their preferred outdoor locales, planting seeds, purchasing starter tomato and pepper plants, and cutting a few pussy willow wands to bring inside. Stay tuned!

LIBRARY SPOTLIGHT for April 1, 2021

Tim found this intriguing book at Dragonfly Books in Decorah, Iowa two summers ago, and we are reading it together slowly. The chapters open with an introduction and then tackle the overlapping categories of poems: “Feelings,” “Characters,” “Forms,” “Difficulty,” “Wisdom,” and “Community.”

The prose is lucid, instructive, and, at times, laugh-out-loud funny, and we are enjoying Burt’s excerpts and selections from a wide range of poems–old favorites to the new-to-us examples–to illustrate her arguments. (For example, she compares and contrasts Wordsworth’s much anthologized “I Wandered Lonely as a Cloud,” often called “Daffodils,” with Jennifer Chang’s snarky, modern-day take-off, “Dorothy Wordsworth.”)

REGARDING TODAY’S POEM:

I am mixing it up this year. Instead of (as in 2019 & 2020) choosing titles to inspire each day’s poems in alphabetical order, followed by four free-choice poems for April 27-30, I am beginning with three free-choice poems, proceeding to poems with titles in reverse alpha order, and concluding with a final free-choice titled poem on April 30. Wish me luck 🙂

Today’s poem, “April 1: Raspberry Fools,” revisits Bayfield, Wisconsin, the place where Tim and I first attempted gardening. (Incidentally, it was Barbara and Bob Bonner’s kind and timely advice that prevented the plumbing disaster alluded to in the poem!) We hope to revisit Bayfield again before too long, perhaps catch site of a rainbow there in 2022. Meanwhile, I plan to try a new dessert recipe over Easter weekend with these raspberries.

The raspberries were a gift from Julia, and I am inspired also by her introducing me to the concept of “cottage core.” This recipe is from “The Pioneer Woman” website.

That’s it for today!

Happy April 1, 2021! LESLIE

Poem in Your Pocket Day in Northfield, MN

There’s nothing wrong with jumping on a band wagon, especially it is already filled with friendly people who want to share outstanding poetry with you.

That’s how I felt when I learned last year about the American Academy of Poets (AAP) amazing idea: people communities all across the country come together on the same day in April, which, since 1996, has been National Poetry Month in the United States. Each community plans ways to share copies of poems they love or are intrigued by with anyone who is out and about and would like one.

I first heard about the program, which was launched in 2008, last year, but too late to organize anything in my hometown. This year, I was determined to try something small, just a “poetic beachhead” here. With moral support from the Arts and Culture Commission (of which I have the honor to be a member) and encouragement from some poetry-loving friends, I bought bright red boxes, small enough to fit easily on a counter, and targeted eight local places with high traffic: the James Gang Coffeehouse, the Northfield Arts Guild, the Northfield Public Library, Bittersweet Eatery, the Hideaway Coffee Shop, Monkey See, Monkey Read Book Store, and the Quality Bakery.

James Gang PIYPD 2013

Just the idea was enough to create a mini-band wagon here in Northfield. Mary Steil heard me talk about the event at a local reading and stepped up with her good cheer, fabulous ideas, and impressive desktop publishing skills. Between the two of us, we pursued the library of poems at www.poets.org, selected ones we both agreed on, contacted our targeted participants (who all said “Yes”) wrote and distributed a press release, printed poems and 100 commemorative buttons, filled the boxes, and delivered them. We considered copyright issues (a big thanks to Billy Merrell of the AAP for help in thinking this through) and appropriateness of content. We constructed signage and divided up tasks.

On April 18, we had a heavy, freakish snowstorm which slowed traffic. Nonetheless, more than one-third of the 1,000+ poems we set out went home in pockets. All our partners are enthusiastic are participating in 2014.

But here is the magical part: in 2013 there was grassroots enthusiasm for the project before it happened, causing lots of other people to craft their own versions: a volunteer at the hospital worked with staff to create Poem in Your Pocket Day in the long-term care unit; Nerstrand Charter School did a school-wide event; teachers in Northfield gave credit to students who went downtown and recited or read a poem in public; a Carleton professor brought them to her dance students on- and off-campus, the Northfield Public Library gave out copies of a local anthology of poets along with individual poems; and, at Carleton College, the faculty submitted their own picks (supplying an English translation, as well as the original, for those in other languages). Take a look at http://apps.carleton.edu/humanities/Poems/ to become reacquainted with an old favorite or find something you’ve never seen before.

Poem in Pocket groupPhoto Credit: Daphne McCoy

I’ve learned that when my heart is in it, volunteering is its own handsome reward. So you can imagine how shocked—and beyond-delighted—I was to learn that my efforts on the Northfield project was selected as one of five in the country to be recognized by the Academy of American Poets for going above and beyond. It even got me to reactivate my long-dormant Facebook account to see the posting:

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PoemPocket

While it is wonderful to be recognized by name, I recognize that what is actually honored is the community effort.

Thanks, Academy! Thanks, everyone in Northfield! Can’t wait until 2014!

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Other News

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I’m excited to have new work, my short story, “The Damages,” and two poems, “Orpheus” and “Memento Mori” featured in Swamp Lily Review – a journal of Louisiana literature & arts. Click on the titles of my story and poems to read them online and be sure to check out Swamp Lily Review’s website when you get a chance! Swamp Lily Review also kindly posted my Bio which you can read if you click HERE.

To see other recent publications and media appearances featuring Winona Media, click HERE to visit our Media and Events page.