News Flash! The Newest Issue of MEZZO CAMMIN Is Out! It Includes My Poems “A Song for Sarah Winchester” and “Goddess of Forgetting”

The online journal of formalist poetry by women, Mezzo Cammin, was founded by the late Kim Bridgford and is now under the editorship of poet Anna Evans. The first issue under new leadership has just been published! It contains twenty-six well-crafted poems on a variety of themes by a baker’s dozen of skilled poets, arranged in alphabetical order by the poet’s last name: Kris Beaver, Catherine Chandler, Mary Cresswell, Catherine Fitzpatrick, Nicole Caruso Garcia, Katie Hartsock, Jean L. Kreiling, Diane Lee Moomey, T.R. Poulson, Catherine Esposito Prescott, Carolyn Raphael, Claudia Schatz, and Leslie Schultz.

To read the issue for yourself, and see the work of featured painter, Holly Trostle Brigham, whose newest work on Pre-Raphaelite muse Elizabeth Siddal is paired with poems by Kim Bridgford in the artist book I Wake Again, here is the link. Red hair is one focus of the collection. (If you are near Delaware, you can see the life-sized paintings from February 26 to May 29, 2022 at the Delaware Art Museum.)

I was especially taken with the understated and highly relatable humor in “Uxorious Sonnet #4 by Catherine Fitzpatrick; the timely updating of a poem Julia and I used to recite all the time (Emily Dickinson’s “I’m Nobody!–Who Are You?”) in “After the Associate Poetry Editor Tweets That Submissions Are Still Open” by Nicole Caruso Garcia; the trick-taking, stunning final line in the skillful poem, “Dealing”, by Jean L. Kreiling; and the startling imagery of Catherine Esposito Prescott’s “The World”. You will have your own favorites.

Double-web Window at the Winchester Mystery House (Leslie Schultz, 2012)

My own poems are both recent work that draw on reading and traveling and thinking done over the past decade. The sonnet, “Goddess of Forgetting”, showed up as a surprise during the April 2021 challenge of writing a new poem each day. It was inspired by a book that my Book Group chose to read together some years ago called In the Garden of Evening Mists by Malaysian novelist Tan Twan Eng, specifically by the epigraph from Richard Holmes. The sestina, “A Song for Sarah Winchester”, is a poem I have been working on for some years and finally completed in 2020. It had as its catalyst a visit in 2012 to the Winchester Mystery House in San Jose, California.

Winchester Rifle circa 1946

Finally, the Mezzo Cammin website also offers the deep pleasures of a video celebrating the life and work of Kim Bridgford at the 2021 Poetry by the Sea Conference and the Women Poets Timeline Project with essays on dozens of women poets in many traditions from and essay by Pat Valdata on Sumerian poet Enheduanna (2285-2250 BCE) to Kim Bridgford’s essay on contemporary poet A.E. Stallings (1968- )

Happy reading and writing! LESLIE

Large Spider Web, Winchester Mystery House (Leslie Schultz, 2012)
Dreaming of Someday–My Refrigerator Door in the Dead of Winter

The Orchards Poetry Journal Publishes My Poems “Tiny Troubadour” and “Dogwoods”

It is always an occasion when The Orchards Poetry Journal publishes a new issue. This issue is something even more special to many of us, since it features the poetry of the late Kim Bridgford. I think it is no exaggeration to say that everyone who knew Kim feels bereft since her death last spring. I certainly do. After meeting her just once, at the AWP Conference in 2015 in Minneapolis, I became inspired by her work as a poet, scholar, and editor, and by her natural, generous, open-hearted way of moving through the world as a full human being. I will be forever grateful for her encouragement of my own work (by accepting a number of poems for her journal, Mezzo Cammin, and for contributing blurbs for my first two collections) and for the inspiration of her own work. (My own particular favorite of her collections is called Hitchcock’s Coffin: Sonnets About Classic Films, but all her work is deft, deep, and indelible.)

This issue of The Orchards contains a beautiful photograph of Kim, a summary of Kim’s many accomplishments and a moving note by her son, Nicki Duvall. Most importantly, it provides a taste of her astonishing work as a poet. I will be reading and rereading all of these for a long time.

This issue also contains a lovely poem, “Saying Goodbye,” from Sally Nacker (whose work is familiar to long-time readers of Winona Media, and who first introduced me to Kim Bridgford), and two of my own poems from the last year or so, “Tiny Troubadour” and “Dogwoods.” I wrote the first, a sonnet, last year after a bachelor wren in our garden during the nesting season of 2019 touched my heart, and I wanted to show it to Kim but that was not to be, so it is dedicated to her. (This wren returned to our garden this past summer of 2020, attracted a mate, and raised two broods.) “Dogwoods” is for my friend, Judy, inspired by her and her love of the natural world–garden, prairie, and woods.

You can read this issue online HERE, and order your own paper copy HERE.

Happy reading! Wishing you a peaceful and artistic winter season!

LESLIE