April 23, 2020 Poem “Window”

Barn at Red Oaks Farm (Photo: Leslie Schultz)
 


Window
 
 
If eyes are windows
to the soul,
then do panes of glass
allow us to pass
into the spirit of a house,
a ship, an old barn?
 
One cavernous space,
now a wrecked cairn
of splintered wood
once stood
against snow and wind
at the home place
 
where my husband was born.
Though now disappeared,
like a rejected draft, torn,
carted off, I recall its cool
majesty on a hot day;
the scents of long-ago cut hay
 
mingling with motor oil,
alfalfa, and old timber;
the way its echoes would change
the timbre of my voice
to undersea splendor;
and the way the sun poured
 
like transcendent, light rain
from the high window
above the always-open door.
Unprepossessing from outside,
the barn held an ample store
of quiet dignity inside.
 
 
Leslie Schultz


The real-life orientation of this photograph is a quarter-turn to the left. This barn at Red Oaks Farm, where Tim and his siblings grew up, was long, like a semi-circular stand of wooden hoops or like a stand of juniper, low against the wind. Recently, it was the wind that did it in, flattened it like a cardboard box. Somehow, though, it looks right to me this way, and so the print I keep on my desk has this orientation, and it was the inspiration for today’s poem. Here are some other images of that now-disappeared landmark.

Priming the barn at Red Oaks (Photo: Leslie Schultz)
Photo: Marea Mohr (April 2019)

Thinking about windows this week makes me smile because so many people (in Northfield and probably in every city) are placing stuffed toys in their windows to cheer children lonely for their friends. Walks with their parents in the spring sun can turn into a bear hunt or toy safari. I started participating before Easter, and just recently found one a bear large enough for a child to see easily from the street. (It was one that Julia was given by Mary Alice Sipfle at my baby shower, and it was a great nighttime comfort for our daughter, twenty years ago, when the two were the same height.)

Yesterday, because my door was open, I saw a flash of tiny red sundress–like spotting a cardinal for just a moment–and heard a small voice say, “Look, Mama! It’s a BEAR!” A girl, maybe three years old–about as high as an American Girl doll, come to think of it–was walking beside her mother (who pushed the stroller). The mother was wearing a flowered sundress. Both of them looked so peaceful and connected to each other that it made me feel a little bit nostalgic. (I am prone to that these days.) I am glad I happened to overhear that snippet of conversation, because I was thinking that our street seems to be mostly construction workers grinding old asphalt these days, and that maybe the bear looked a bit ludicrous and woebegone.

Today, I think I will open the cupboard under the eaves and see if there isn’t a friend in there who could join the bear in cheery sentry duty.

Happy Shakespeare’s Birthday! LESLIE

Though this year my poem for April 23 is not inspired by William Shakespeare, of course, on his 404th birthday, he is on all of our minds! If you are looking for a short, lighthearted birthday waltz with the Bard, take a look at this video from the Great River Shakespeare Festival called “Shakespeare’s Test Kitchen” or watch along as at 9:20 CST 154 actors participate in a marathon reading of the sonnets. (Thanks to GRSF for the image above!) Here is information about how to participate–though you might have to type in (rather than click on) the links below, as I copied them from an email.

Sonnet Marathon with LinkedInOur very own Doug Scholz-Carlson is taking part in the first ever #LinkedInShakespeare Sonnet Marathon today, on Shakespeare’s birthday! He will be one of 154 actors/readers reading all 154 of Shakespeare’s sonnets LIVE, to #supportthearts.

At 9:20 CST, Doug is dedicating his reading of Sonnet 149.

You can watch LIVE on LinkedIn at bit.ly/livewithlila or on YouTube at bit.ly/youtubebetter on 4/23, or catch the replay for FOUR DAYS ONLY at either link.

To get a FREE ticket and reminder, or to donate to a bonus fund that will go to one of the 154 organizations represented, go here: bit.ly/LISHAKESTIX

Though theaters are dark, people are still bringing the light! Join us!

And don’t forget, for all of you who enjoy the sonnet form, to consider submitting a sonnet or three to the annual Maria W. Faust Sonnet Contest, also sponsored by the Great River Shakespeare Festival. You have plenty of time–the deadline is June 1!

April 21, 2020 Poem “Umbrage”

 


Umbrage
 
 
Drat!
 
I thought I had got rid of this, but here
it is in my pocket, a small
sticky ball,

this inert, charred bolus
of fetid emotions, unsightly feeling
of being affronted.
 
Some days, just in case,
I used to take it with me, but tight-zipped.
Snapped. Furled.
 
And then, I really thought I had dropped it,
just let it go. But
it turns out
 
NO!
 
 
Leslie Schultz

April 20, 2020 Poem “Tour”

 


Tour
     for Estelle Uleberg Swanson
 
 
Not so long ago, I heard her tell
the story. We were at her kitchen table
in the old farmhouse near Madelia.
Was she making bread? Just Estelle,
her daughter, Julia, and me. And Maggie,
the black dog, on the wooden floor.
 
Maybe I had mentioned my teen-age tale,
the thrill of climbing the Tour Eiffel,
then gazing out over the rainy rooftops
of Paris? Estelle kept kneading the flour,
then gestured out the window. “When
I was three, I climbed to the top
 
of the windmill,” she said, dividing
the dough into loaves of bread,
patting them into their metal pans.
She was playing. Her father had turned
away, then turned back, saw her, hand
 
over hand, ascending the steel
frame of the high Aermotor.
He followed, without a sound, fearful
she would turn around, panic. Oh, if she fell,
like a falling star!
But her gaze was far

off over the flat cornfields,
watching the grey sky shift,
form a rainbow, shimmer
like ribbons, over the blue silo.
She barely noticed her father’s arms
or felt her feet touch the safe ground.
 
 
Leslie Schultz


April 19, 2020 Poem “Still”

 


Still
    for Tim
 
 
We met one April evening long ago.
I make a count of fifteen thousand days....
Could I have known then what now I know,
that I’d still be enchanted by your ways
 
decades and decades on? How can that be?
We’ve made a daughter, a garden, a home.
Our shared life is now my reality
too large to distill for one small poem.
 
We’ve learned how to dance in our garden rows,
singing the songs that make our heads spin—
eyes on the stars, perhaps stepping on toes,
and still laughing despite the pain and the woes.
 
Our love is deep-planted and here to stay,
so I can still whisper, “Love? Let’s sail away.”
 
 
Leslie Schultz


Could there be a more appropriate time for a love poem than in April? While Tim and I celebrate our wedding anniversary in early August, we met when I was a freshman in college and he was a graduate student on a balmy April evening. Last night, we were talking about what a turning point that was for us–Fate? Destiny? Karma? Just plain luck? Hard to say, but I know I am profoundly grateful that we did meet in this lifetime. I can think of no better companion.

These days of sheltering in place have, if anything, thrown that insight of good fortune into even higher relief for me. Sequesterd with anyone else, I might well be climbing the walls! Instead we are busy building cold frames for vegetables; planning rabbit-proof fences for the garden; toasting the brilliant stellium of Jupiter, Saturn, and Mars; watching episodes of The Great Tours of France and nibbling Brie; exploring the muddy back roads between Northfield and the Mississippi River; and dreaming of booking an afternoon’s sail on the Schooner Hjordis out of Grand Marais.

Tim and I will both welcome the cessation of these current restrictions, but still, slowing down to focus on essentials has been instructive. I can’t imagine a foxhole that is more like a Hobbit hole–good humor, good books, good food, good company–and that is all due to him.

Thanks, Tim!

April 18, 2020 Poem “Rhinestones”

 
 
 
 Rhinestones
  
  
 I think she was spooning custard into my bowl,
 Grandma Phyllis, when I asked her about the owl
 pinned to her dress. “Are those rubies?” I wondered.
 The eyes of the tiny bejeweled bird caught the light,
 glowed as bright as the coffee percolator’s red spot.
 She fiddled with Saran wrap. I didn’t think she’d heard.
  
 “Oh, this?” She tapped the tip of her red-enameled nail
 on the owl’s breast. Metal plumage rattled like hail
 had, the night before, on asphalt shingles over my bed.
 “No. Just paste.” I thought of the white goo at school, 
 how all the girls made it into fake fingernails, would
 wave their hands like movie stars, fling invisible
  
 feather boas over their shoulders, call each other 
 “Dar-link!” Grandma, whose hair glinted high over
 her pink scalp, showed me the worn gold bands on her left hand,
 sprinkled with clouded stones pressed like raisins into dough,
 hazy with lemon oil and cold cream. “These, though,”
 she smiled, “are real,” and lit a cigarette. “Understand?”
  
  
 Leslie Schultz 


Grandma Phyllis circa 1926
Grandma Phyllis in 1966

Who defines what is real? Who determines value? Does the surface reveal or conceal?

Questions with no fixed answers….