April 6, 2024 Writing Poems for Fictional Characters, Part One

Part of the fun of working on a novel is trying to enter the mind and experience of someone Not-You. Someone else. In the novel that Tim and I are making, we have set the story in 1979, in a small town in Northern California. Two of the characters are poets. One of the poets is a college student, born in 1960. The other was born in 1927 and serves as a host and mentor for the younger poet.

One way that I have tried to get into the minds of these two characters is to write poems for them. What would interest them, catch their attention? How would they convey this in a poem? So far, for each character, I have written five or six poems. Only two or three might appear in the novel itself, but…what can I say? It is fun to fashion new poems.

Recently, I became curious about other novels that have protagonists who are fictional poets. I could not recall very many. There are many delightful novels that depict actual poets and one, Baron Wormser’s The Poetry Life, depicts the effects of poetry (by actual poets) on the lives of fictional characters.

But when it comes to main characters who are poets, with no lives outside of fiction, I could only think of Swann, by Carol Shields, and the trio of young adult books featuring Emily Starr of New Moon Farm by L. M. Montgomery. (If you know of any others, please let me know!)

In the couple of years since I served as a poetic scribe for our two characters, I have wondered if their voices would be clearly discernable to anyone else. Or, perhaps, do all the poems simply sound like me? It is an interesting thought exercise, but not one I can wrestle to the ground on my own, so I thought I would ask you.

What do you think? Below are six poems. In a future post, I will reveal which poem was written by/for each character, and also (should you like to weigh in) how many correct guesses each poem received. You can weigh in (“Older Poet” or “Younger Poet”) for any or all titles either in the Comments Section below or by emailing me at winonapoet@gmail.com. Thanks, in advance, for your thoughts!

LESLIE

Study of Cloud Rapture from the Shore

            for Miles

Horizon line silver grey

tumbling, shot with plum

aquamarine, emerald

A moment imperiled

imploding and dumb

yet yearning to say

We are all rolling waves

our power about to break

on the rock-hard shore

We are all mountains of cloud

majestic with sunset ache

determined to soar

Jenny Stubtoe

Curled against leather cushions

under warm lamplight,

compact as an ammonite,

you open one eye, peer

greenly into the twilight,

twitch a single whisker,

then sink back into nine

oceans of sleep, each one

deep as a well-lived life.

Candlelight at Point Reyes

This narrow track is supposed to lead up

but I can barely see the ground beneath

my feet. Fog beads these yellowing grasses.

Fog abrades my eyes with stinging salt sprays

and muffles my ears. I came to Point Reyes

like a wounded tule elk, filled with guesses

about direction, survival, what I might bequeath

a world hidden from my sight. Now the trap

of caring is fully sprung. All I find

on this dark headland is how I am lost.

I want to lie down here. I want to be

done with striving, cease this yearning to see

ahead. This cold candle? Better to cast

it from my chilled hand, my dark mind.

My First Shasta Soda

He stands in shadows.

“Here,” he says,

“Drink this,”

hands me a dark,

foaming brew.

Like Alice, I just do.

Who am I now?

Do I grow

or shrink

into this sensation?

So maybe this is love?

Sticky and sweet,

leaving me giddy,

messy, refreshed, and

all shook up?

Avocado-Coconut Ice Cream at the Duluth Grill

The Geode

There is just no telling until

one is opened.

All days appear rough,

dusty, grey, and vague

in heft and circularity,

that weight in your hand.

You have to take that

chance, have to lay down

your stone heart

daily on an altar of stone,

lift up a hammer, and allow

its swing to cleave open

your glinting center, let

this sun’s light dance

over you, permit someone

else to see your spiky radiance.

White Egret, Green Field

Balancing on one stilt,

slender, pure as salt,

you stab into rice stalks.

Minnows, golden,

glinting, circle your leg

with their swimming.

Giving a cry—

Grief? Exhilaration?—

you achieve the sky.

Water bird, white

as bone, you soar

over these green fields,

visionary,

yet alone. Always

alone.

(Photo by Karla Schultz)

April 5, 2024 Images from Echoes & Shadows Event

Last evening’s Echoes & Shadows Poet-Artist Collaboration was well attended, dynamic, and thought-provoking.

To get the full effect (images of art, poems, and artist statements) the best option is to use this link (scroll down a bit!). This will give you the feeling of an exclusive tour of the gallery show. Of course, if you are nearby, you can come in and see the show for yourself, which is the best way to view the art.

My photos really don’t do justice to the event, but I am including a few just to give you a feeling of the energy of the gathering. Some artists were also poets, and some artists took on more than one poem to interpret. For poets and artists alike, both beginning and long-time practioners were represented, and all the work was well executed. All told, I believe more than 60 people attended this lively event.

Emcees and participating poets D.E. Green and Becky Boling
Artist Darla DeLong, describing her work, “Different Views,” inspired by the poem, “Seat Assignment,” by Heather Candels
“Different Views” by Darla DeLong
Artist Patsy Dew, describing her work, “Last September,” inspired by the poem of the same name by Craig Evenson
Poet Sharol Nau in the gallery next to her poem, “Winter Thoughts,” with art by Charlie Skinner
Artist and FiftyNorth Program Coordinator Michelle Brant in the gallery, with her piece titled “Muscle Memory,” inspired the poem of the same name by Pamela Thompson
“Destination,” by Christine Otis-Skinner, inspired by Susan Jaret McKinstry’s poem of the same name
Marie Gehry, who helped to organize the event, participated as both poet and visual artist, and also read for poets and artists who could not be present
Pat Jorstad’s multi-layered art work, “Hope for Peace,” with cranes made by Paula Gargarry, based on my poem, “A Gesture of Peace”
Me, reading “A Gesture of Peace” beside the image of Pat Jorstad’s canvas

Thank you, FiftyNorth, for creating a much-needed occasion for exuberant sharing of words and images this spring!

LESLIE

April 4, 2024 THIRD WEDNESDAY’s New Issue is Out and Includes My Poem, “A Cache of Antique Postcards”

Do you, too, save old postcards?

I have a collection of ones that I bought, ones that were sent to me, and ones that were given to me by dear departed friends, Elvin and Corrine Heiberg. Some are pristine, some were battered in the mail nearly a hundred years ago. This collection, a small fraction of which is pictured above, inspired my poem, “A Cache of Antique Postcards.” If you would like to read it in the newest issue of Third Wednesday, you can download a free issue HERE. I am very glad to be in the company of the poets listed below, and I look forward to reading their poems soon!

LESLIE

April 3, 2024 ECHOES & SHADOWS Poet-Artist Collaboration Tomorrow–And You’re Invited!

(Excerpted from the FiftyNorth April Newsletter)

A special event is being held tomorrow from 4:00 to 6:00 p.m. at FiftyNorth, located at 1651 Jefferson Parkway. You can have a preview if you follow the above link and scroll down.

This year, inspired by the long-running Poet-Artist Collaboration (begun in Zumbrota, Minnesota, and now transplanted to Red Wing, Minnesota), FiftyNorth Program Coordinator Michelle Loken took the idea and gave it a local twist.

At the beginning of the new year, local poets were invited to submit poems, and then the sumbitted poems were selected by local visual artists who were drawn to create an art work inspired by their selected poem. One of my poems, “A Gesture of Peace,” was chosen by an artist I haven’t yet met, Pat Jorstad. I am looking forward to the Artists Reception in the Gallery, starting at 4:00 p.m., to reading my poem in Room 103 (Reading starts around 4:30 p.m.), to seeing and hearing the work of all these other artists, and to seeing some old friends and meeting a few new people.

As for my own inspiration to write the poem? The life and work of my friend, Kaz, who is currently in Japan on his own version of a vacation: first spending six days to walk the entire circuit of Shodo Island (120 miles; 88 temples) while praying for world peace; then traveling to the Noto Pennisula to help, through his skill as a doctor of acupuncture, those affected by the devastating earthquake that struck there on New Year’s Day.

One of Kaz’s Mobiles Hung from a Cactus Spine
Kazuhiko Watase
Dawn on Shodo Island (Photo: Kaz Watase)
Shodo Shrine (Photo: Kaz Watase)
Middle of the Journey (Photo: Kaz Watase)
Daisies on Shodo Island (Photo: Kaz Watase)
End of Journey (120 miles walk in six days) (Photo: Kaz Watase)
Kazuhiko Watas]

I greatly appreciated being able to follow Kaz’s progress on this journey through his texts, photos, and video clips. Thank you, Kaz, for your inspiring presence, and for your permission to share these stories and images!

LESLIE

April 2, 2024 Film “Paterson” & Poetry Everywhere, Every Day (Not to Mention Poets William Carlos Williams and Ron Padgett!)

If you have already seen this gentle, luminous, poetry-filled fillm, then you know. This riveting “Week in the Life” of two young married people, working class artists living in Paterson, New Jersey, is a small miracle. Or maybe not so small. The main character is a bus driver who writes poems inspired by the people, places, and things around him–anything he notices and responds to in his daily round might spark a poem that he writes into a notebook he carries everywhere. His wife overflows with artistic impulses and dreams–to make astonishing cupcakes, to paint, to learn to play the guitar and become a country western star. Their English bulldog, Marvin, plays a quiet but key role, and is a sly scene stealer.

The Great Falls of the Passaic River in Paterson, New Jersey

The backdrops for this astonishing film, which blends poetry into the action at each turn seemlessly and believably, is the working class city of Paterson and the eponymous five-volume epic poem, Paterson, written by a dean of American modernist poetry, William Carlos Williams. Williams grew up in Rutherford, a small town near Paterson, and returned to it after his schooling to live there and practice medicine while writing poetry and raising a family.

If you haven’t seen the film and would like an intelligent blow-by-blow, this review by “Film Guy Stash” does a brilliant job.

If you do take the plunge and watch the film, you might want to learn more about the poems featured in the film. Each poem is treated almost like a character, with a form on screen in typeface and a voice, too, usually the main character, also named Paterson, reads them. One of the poems, attributed to a young girl, was written by the film’s director, Jim Jarmusch. Another is a frequently anthologized and justly famous short lyric, “This Is Just To Say,” written by William Carlos Williams. The remaining poems (most commissioned for the film) were written by contemporary poet, Ron Padgett, whose strong and sinuglar voice holds echoes of Williams’ cadences and images draw from daily life.

William Carlos Williams (1883-1963)

William Carlos Williams

Paterson by Williams is an epic amalgamation of the poet and the city. Memorable quotes include “No ideas but in things”; “The City is a man”; “The Falls are sprinkled partridges, outspread, spotted with white specks.” (In the spirit of full disclosure, I confess that, while I am drawn to Williams’ short lyrics I have never been able to go beyond Book I of his Paterson. If you have read this epic in its entirety, hat’s off to you!”

Ron Padgett (1942-present) (legacy of French symbolish and Dadaist writing)

Ron Padgett

Years ago, another Northfield poet, D.E. Green, referred me to the work of Ron Padgett, and two of his many titles have a permanent place on my bookshelf:

When I think about the rich cinematic experience of this quiet movie, it is the themes I see that move me most: “Bloom where you are planted. Be brave enough to risk doing the work, and share it with the world. Look anywhere, and you will find love and beauty and art looking right back.

LESLIE

Bridge, Winona Minnesota