April 8, 2020 Poem “Howling”

 


Howling
 
Not the wind knocking branches against the eaves,
Nor wolves, for they are far, far to the north.
Just the small echo chamber of my heart,
 
Voicing this pain I hear, this pain I see,
Twisting shimmers of inherited wroth
Polished and shaped for the distance of art.
 
There is power in voices shaped into song.
Our singing breath holds a gathering force.
Our sorrows must flow before they are spent,
 
Acknowledged before any grievous wrong
Can be set right. If the river’s course
Is dammed, its flow still presses, cannot relent.
 
Song helps to clear the silt, to sweeten the rue.
Our flowing breath can strengthen and renew.
 
 
Leslie Schultz

Regular readers of Winona Media might recall some these images. They inspired a NaPoWRiMo poem (April 19, 2017) called “Portrait of a Street Musician” and writing that poem helped me to learn from a reader what the instrument played was so long ago on a grey day in Paris.

This morning, I was thinking about breath and wondering about the tonal and other differences between singing and howling, or indeed whether the difference is only in our naming. Why that today? I don’t really know–gloomy weather, world strife, headache.

What I do know is that it helps me to engage, at least in my own way, to try to make something. To try to make sense.

Wishing you the solace of song today--Leslie

April 7, 2020 Poem “Geranium Lake”



Geranium Lake
 
...all the colours that Impressionism has made
 fashionable are unstable, all the more reason
boldly to use them too raw, time will only
soften them too much…
Vincent Van Gogh in a letter
 to his brother, Theo)
 
 
Who knew that paintings fade
like flowers?
 
Van Gogh foresaw the unstable
quality of his pigments,
 
impressed them vividly
onto prepared canvas
 
as in this picture of a man
walking with a woman,
 
arms entwined, air
heavy as blue metal,
 
trees spaced like columns
in a Doric temple, where
 
undergrowth thick
and wavy as seaweed
 
blooms with color—
yellow, orange, white—
 
but that fugitive one,
called spark or geranium lake,
 
sent from far afield
by Theo, used to make
 
a brief flowering of pink
has faded to white;
 
quite the opposite
of the trillium
 
at the base of my elm
which emerges like snow
 
but then blushes
each season into oblivion
 
shaded by showy
day lily, shrouded
 
afresh in the mystery
of understory:
 
this the story,
the way of man,
 
of woman,
of all flesh.
 
 
Leslie Schultz

Image: Vincent van Gogh (Dutch, b.1853, d.1890); Undergrowth with Two Figures; 1890; oil on canvas; Bequest of Mary E. Johnston; 1967.1430. (Cincinnati Museum of Art)

April 6, 2020 Poem “Fever”

 

 
Fever
 
A child asked me, “What is the grass?” fetching it to me with full hands…
                        (Walt Whitman, “Song of Myself, 6”)
 
 
Fever took me by surprise.
I was eight years old.
I lay in my room, under a blanket
covered with pictures
of pink roses, and the room
began to whirl. I could not
understand it, found it curiouser
and curiouser. The ceiling
tilted and dropped. The centrifugal
force created, somehow, by my own
body felt as though it would fling
me out of it, as though I had become
a spinning galaxy of heat and light
and pictures and roses that made
a body unneeded. I was puzzled
but not alarmed. I was on fire
with fire that did not consume.
 
My mother brought in the glass
thermometer, held in under
my tongue, kept bringing in trays
with ginger ale and aspirin, water,
sugary puddings after the sun rose.
When the sun fell, my fever broke.
I was still here but changed.
I could hear the pink Queen Elizabeth
roses growing on the other side
of the wall, hear the pellucid slugs
chewing the light green grass, even
the music of starlight streaming
through the willow tree I once fell
from, when the wind was knocked out
of me. Where did it go? I wanted
to know. I felt then that whole universe
unfurled from my home. Soon after
that fever I wrote my first poem.
 
 
Leslie Schultz

April 5, 2020 Poem “Ecola”

Cannon Beach, Oregon, January 1999 (Photo: Leslie Schultz)
 

Ecola
     for our daughter, on the other coast
 
 
Where is the entry point
into this poem?
The trail head is closed
for the foreseeable
which seems not that far, now,
our human future
shrouded in fog.
 
Fog remains at home, here,
on this point where land
meets sea, where a crescent
of beach curves. Just north,
Tillamook lighthouse still
battens to its rock,
abandoned columbarium;
 
just south, Haystack Rock
looms picturesque, mute.
I recall our last visit,
four months pregnant with you.
We rented a damp cabin
at Cannon Beach, dim
and stinking of old smoke.
 
That night, the roar of the surf
called us out. We walked
into the heavy fog, lights
of heaven concealed, even
the lights of the town, rocks,
docks, Sitka spruce all shrouded.
 
Delicate as deer, we went,
step by step, onto the wet sand,
its shining all we could see
except each other. The tide
was low but we knew
it would turn, that morning
would come. That fog would burn.
 
 
Leslie Schultz
Minnesota North Shore, July 2017 (Photo: Leslie Schultz)
Ecola State Park, Oregon from Lookout Point (Photo: Hellmann, courtesy of Pixabay)