April 9, 2023 Spotlight on “Sunday Morning” by Wallace Stevens and Context for My Poem, “Flower Power Pop Up Shop”

Elsie Kachel Stevens, Wife and Muse to Wallace Stevens and Model for the Mercury Dime

Wallace Stevens’s magnificent poem, “Sunday Morning,” seemed just right for this Easter Sunday. It was first published in Poetry Magazine in 1915, in an abbreviated form at the request of founder and then-editor Harriet Monroe. Stevens later restored the cut stanzas in 1923 when he included it in his first book-length collection, Harmonium. The link above will take you to the entire poem. If you scroll down, you can also find a link to the abbreviated form in which this poem made its 1915 debut. The Poetry Foundation website also has a solid bio of Wallace Stevens and the texts of many others of his distinctive poems. In case you haven’t read his “Sunday Morning” in a while, here are the first five lines, the first sonorous sentence:

Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.

Here at 114 Winona Street, in April, we have the complacencies of flannel pajamas and the black-and-white freedom of the Maltipoo to accompany our late coffee and oranges on this Sunday morning. I am pondering the history, psychology, and semiotics of clothing under supremely well-written treatise by novelist Linda Grant called The Thoughtful Dresser: The Art of Adornment, the Pleasure of Shopping, and Why Clothes Matter, which is especially delicious to do in my current state of L.L. Bean-inflected dishabille. Soon, I will be dressed and in the kitchen to dress up in Easter finery the top of a key lime pie I made yesterday, a special dish for Tim and me to share in the garden later with a friend.

Life is good! Today, I can feel the renewal symbolized by Easter traditions.

Context for My Poem, “Flower Power Pop Up Shop”:

Happy Easter! LESLIE

News Flash! “We Were Down in the Basement” (Poem) is Published in the Newest Issue of THIRD WEDNESDAY

The Summer 2019 issue of Third Wednesday is out now, and it is again full of the depth and variety for which it is known.

I was delighted by the elegantly icy concrete (or shaped) poem by Northfield’s own Rob Hardy titled “Icicles,” and I was intrigued by a four-sonnet sequence by Jennifer A. McGowan, the feature poet for this issue who is based in the U.K.

And–because I had submitted to their third “One-Sentence Poetry Contest”–I was especially interested to read the winning entries. My submission did not win, but I would not have written it without the impetus of the contest. It sprang from a childhood memory, discussing Shakespeare, very briefly, with my computer-scientist father. I was honored that Third Wednesday included it in their group of “considerable merit.”

As I have come to expect, this issue has me thinking outside my usual boxes about poetry, prose, and images. Just to share a bit of that, here are some of my favorite classic poems–quite different poets, subjects, moods, and diction–that I am now viewing through the lens of one-sentence construction–why didn’t I notice this aspect before?

“The Snow Man” by Wallace Stevens

“The New Dog” by Linda Pastan

“The Red Wheelbarrow” by William Carlos Williams (shorter than some modern tweets)

“Bright star, would I were steadfast…” by John Keats (a bravura one-sentence performance arcing out over the fourteen lines of a Shakespearean sonnet!)

Now, I suspect, I will look for that single full-stop–in terms of sense and punctuation–as I read the work of others. I know that I shall be consciously considering the limits of the sentence as I construct new poems.

Do you have a favorite one-sentence poem? If so, please let me know! If not, do consider trying your hand at one this summer!

Happy summer reading!

Happy Summer writing!