April 19, 2022: Newsflash! BLUE UNICORN Publishes My Poem, “The Craft of Poetry”; Spotlight on Robert Frost’s Poem, “Fire and Ice”; Background for My Poem, “Spring Frolic”

Yesterday’s mail brought a welcome envelope containing the newest issue of a favorite journal of mine, Blue Unicorn. As a subscriber, I welcome this journal twice a year because I know there will be something interesting in it that I couldn’t find anywhere else. This issue makes me especially happy to have because it contains my short poem, “The Craft of Poetry,” inspired by Robert Frost‘s masterful and chilling poem, “Fire and Ice.” Frost’s poem, known to most, is another one that I have memorized. Because of that, I think, the sounds of it were simply there, waiting, and that it was this tight net of rhythm, meter, and rhyme that gave rise to my own poem. (I used different rhyme sounds, but otherwise followed Frost’s nonce construction.)

This issue of Blue Unicorn also contains the best statement in a journal I have ever seen on the whole fraught topic of rejection, as well as more that eighty poems. So far I have read only a small fraction but what I have read whets my appetite. It is fun to see work by poets whose work is already known to me (A quick look finds work by Laurence Thomas, “The End of Desire”; Kathryn Jacobs, “Paying Court” and “Human Beans”; Lynn D. Gilbert, “A Sonnet for You and Yours”; John Hart, “It Seems to Me and I”–these last two playful exchanges on shifts in “correct” English usage–Dan Campion, “The Conspiracy”; and Shutta Crum, “Some, Too Indifferent to Spring Wind (for Emily Dickinson), as well as translations (by Robert E. Tanner, Thomas Feeny, and Susan McLean) of work by Alexander Pushkin, Antonio Machado, and Charles d’Orleans.) I know I will read the work in this issue many times over.

Blue Unicorn’s founding editor, John Hart, also shares thought-provoking essays on his poetry blog from time to time as the spirit moves. You can find his essays at Memorable Speech. Modern poetry is a very large tent, and Hart’s lifelong experience as a poet, editor, and critic gives him a rare perspective. His most recent essay succinctly elucidated for me one of my least favorite trends of modern poetry–known as “Language Poetry,” I learned–and also helped me understand just why this kind don’t appeal to me, but also understand its attraction for those who write, publish, and enjoy such work. As a bonus, I love the way Hart puts sentences together.

(Photos: Leslie Schultz)

Background for My Poem for April 19 (emailed to those who requested my personal poem-a-day), “Spring Frolic”:

Many of you know that Tim and I welcomed Stella into our home last month. She is a rescue Poodle-Maltese mix, just over five years old, originally from Houston. She has brought new liveliness into our house, and she just adores Julia and Julia’s guinea pigs, Peaches and Pancake. Although she hates the cold (not being used to it), she loves her walks. She will leap into the air like a trained dolphin whenever anyone dons a jacket. We look forward to warmer weather when we can take her to a local dog park and let her run to her heart’s content. (We have learned that Stella does enjoy sitting on a pillow on a garden chair when we make a fire outside, but she did NOT enjoy the recent spate of hail, pictured above.)

Happy Reading! Happy Writing! Happy Spring! LESLIE