“Trillium” for April 20, 2019


Trillium
 
We have a singular one
in our back garden
at the foot of the elm.
 
Each spring it rises
in a trio of tiers:
leaves, sepals, petals.
 
It offers a time-lapse
waltz of color change:
white satin, berry pink, ash.
 
Leslie Schultz

I first learned about these woodland flowers when I was a child in Oregon. When we moved to Northfield, we planted one at the base of our American Elm. Both are still healthy! Our trillium should be blooming in a few weeks, and this year I intend to take some photographs of it when it is fully pink. (The first and second images are from our garden. The middle image was taken at the Northfield Post Office.) Until I was able to observe this single plant, I did not know how the starlight-white of the new trillium bloom turns pink as it ages. Botanically, I read that this results from self-generated anthocyanins–triggered by stress or aging–with the goal of reclaiming and conserving the nutrients in the petals that the trillium is throwing away. I don’t fully understand that mechanism, but I find myself wondering about the way humans seem to move oppositely along the color spectrum–from rosy baby to white-haired elder.

As evidence, I submit the following from a dozen years ago! Below is an image taken at Village on the Cannon. Julia and I are waiting for our Spanish lesson with Susan Hvistendahl and celebrating that a trio of my photographs are on the wall. Today, I note that my face then was rosier, my hair less threaded with white just a decade ago.

Happy Saturday! LESLIE

“Ramshackle” for April 18, 2019

Ramshackle
 
The house on the headland,
once snug,
is now ransacked by wind,
pelted by rain,
invaded by small seeds
seeking to catch hold
in a new place.
 
Needle grasses burst
through floorboards.
White petals cling,
fresh découpage,
to fading blue wallpaper.
Saplings pierce the shingles.
And all summer, bees patrol.
 
Leslie Schultz

“Quasar” for April 17, 2019

Quasar
 
“Quasi-stellar”:
nefarious stolen light,
pulsating power,
whirling disk of hot gas—
electric! magnetic!
organized around
a black hole
that consumes galaxies,
sucks them in.
 
Ah, mystery solved.
There are people
like that,
powerful ones
who want to be stars.
 
I watch them
from a distance.
I try
not
to be
s
 u
  c
   k
     e
       d
          i
            n
              .
   
Leslie Schultz
Quasar (public domain photo by NASA)

“Paris” for April 16, 2019

Paris
 
Notre-Dame de Paris, how can you burn?
I watch the compass needle of your spire.
Your glow flares and falls, and so I must mourn.
 
I have walked beside you, consecrated urn,
who anchors passions and banks human fire.
Heart of the City of Light, how can you burn?
 
My footsteps echoed inside you. I could discern
your perfume distilled from fervent desire.
Your glow flares and falls; your city must mourn.
 
Stone Mother, Grey Lady, where shall we turn?                                                                        
Our hearts are heavy with praise and useless ire.
Notre-Dame de Paris, how can you burn?
 
Could your serene blue gaze help us learn                                                                       
to sing on despite this ruined choir?
Your glow flares and falls, and all France must mourn.
 
Our Eternal Lady, you shall return,
but today we weep as you seem to expire.
Notre-Dame de Paris, how can you burn?
Your glow flares and falls, and the world must mourn.
 
 
Leslie Schultz

Like everyone, I am shocked and devasted by the sight of flames engulfing, yesterday, the gothic church of Notre-Dame de Paris. I was last there ten years ago, with my dear friend and my daughter, and I keep thinking about the contrast between the joy then and the great sadness now.

For me, a cri de coeur requires form to contain it. Perhaps that is why this poem came as a villanelle. Though any response I can make seems wholly inadequate, I offer this poem and these photographs, all taken on March 24, 2009. From the dawn-lit window of our small hotel to Sainte Chapelle, Pont Saint-Michel, the Seine, a small couscous restaurant on the Left Bank,–all were taken in the vicinity of Notre-Dame that happy day.

“Olive Trees” for April 15, 2019

Olive Trees
 
Gift, we are told, of Owl-eyed Athena,
she of the gaze like sun-polished steel,

but I think always of soft Italy,
the countryside greening in early spring.
 
I recall those powerfully stunted trunks
rising from earth that still-cool day in March,
 
trees ringing the walls circling a hill town.
Monteriggioni—aloof, untaken—
 
had inspired Dante, served as his blueprint
for impregnable Hell’s ninth rung. Our car
 
was banned, but entry was easy for us,
seeking lunch at a famed restaurant. Doves
 
roosted in the stone chill of the entrance:
cooing, dropping feathers, lime, wisps of straw.
 
Forsythia spiked golden against church stones.
Cobbles rang. We heard noon bells. Soon, Easter
 
would arrive. We ate light egg pasta, sipped
dark red local wine marked authentically
 
with black rooster-marks of true Chianti.
The stripped-bare restroom offered elegant
 
austerity, just a hole in the floor
with two stone footprints—welcome suggestions
 
for the slightly befuddled foreign guest—
paper, and a tiny basin, a latch
 
on the door. Needs must and not a thing more.
Refreshed, cleansed, we passed back through the ancient
 
opening, returned to our winding road.
Descending on foot. we paused to glance back:
 
fourteen linked towers against the sky, soft
white flowers, fresh, resting on glaucous points.
 
The storied olive’s silver-blue-green leaves
made fluttering pennants near the car park.
  
Leslie Schultz