April 12, 2020 Poem “Larches”

Autumnal Larches (Photo by Andreas Neumann and Pixabay)
 

Larches
 
 
Sentinel elders
of boreal forests,
they know how to spin
soft green into gold,
 
brew in their bodies
bright tannins to stain
that bitter tea
of their shining season,
 
then release themselves,
let everything drop
when arctic cold
drops in again.
 
Naked as spears,
larches lift our eyes
to the stark beauty
of winter skies.
 
From carpets of needles
and shadows, they pierce
the clouds each day.
All night they point the way
 
toward Arcturus,
our northern springtime
star, its yellow light heralding
renewed green.
 
 
Leslie Schultz

The anomalous beauty of the larch fascinates me. It is a conifer but not an evergreen. Its heart wood is salmon-pink. It is the hardest of the soft woods, and its small cones resemble roses or lilies. And the larch is very long-lived compared to our human span, often 600 years old, with documented trees standing a thousand years. Larches are most striking in October but I like to think of them now, in spring, spinning nutrients from the soil into fresh green needles, soft pink cones filled with seed.

Larch Cone (Photo by PixxlTeufel and Pixabay)

April 11, 2020 Poem “Kodak”

 


Kodak
 
 
Impossible to mispronounce,
its inventor hoped.
 
Everyone’s first camera.
Mine a plastic point and shoot—
 
just drop a film cartridge in,
wind to advance.
 
Later my first digital, too.
My husband worked for Kodak,
 
had an employee discount.
He told me of their whole
 
invented argot, KISL,
Kodak International Service Language,
 
devised to be devoid
of nuance. One word=
 
one meaning. Unintentionally comic
but impossible to use for art.
 
No stony silences. No cloudy thought.
No slippery patinas
 
of shimmer or rust. Everything
to scale (proportion only, no weight
 
or fish or climbing allowed).
Even “home” one mere syllable
 
denuded of detail, fixed in location
and in memory, unabraded;
 
nothing to develop or discuss.
No backward glances? Even for us
 
with mountains of photographs
attesting to changes?
   
No, that is not how I see it.
I cannot concur.
 
One flat little picture
forgotten for years
 
reappears quite changed
from what I recall,
 
with layers of proofs
and dazzling suggestions.
 
Beckoning insights
explode off the page,
 
more and more as I age.
The older I get
 
the more strata I see,
the more I embrace ambiguity.
 
 
Leslie Schultz

April 10, 2020 Poem “Jalopy”

 

Jalopy
 
 
It’s not a word you hear very often,
or did, even back when I was a kid.
I must have learned it first from those
Archie comic books, to me baffling,
unfunny, but riveting as a preview
of life down the road in high school.
 
Well, I was a young fool.
High school was nothing like that.
No Jughead, hanger-on with his inexplicable
serrated hat, or grim Miss Grundy
embodying Monday, or sassy and glossy
Veronica Lodge with her sleek moneyed sneer.
No kind but clueless lovelorn Betty
who was perpetually blind to her own beauty.
 
Especially no irrepressible Archie,
all geeked-out freckles and tomato-red hair
but with some real spark or flare
of talent, like skinny Mick Jagger
without the strut or sexual glare.
Still, Archie fronted a band, had a car,
and that was enough to make him a star.
Just a paper construct. Never met one like him.
 
After college, though, I was briefly married
to a red-haired guy, Jeff, who imitated
Ry Cooder by playing slide guitar.
He had a rusty yellow car
that turned over and over but usually died
in the driveway. There was too much to fix,
I guess. And there I was, inside the house,
a lovelorn bride who secretly cried,
who tried to be kind, tried to steer
toward a happy ending over
the bumpy road
of his manic ups and downs.
 
We could never get to a higher gear.
I left after he claimed to be
addicted to me. He could not
metabolize his fear, and later,
his father told me,
he simply slid off the rails
on an excess
of something poisonous,
just as pernicious as sugar.
 
 
Leslie Schultz

April 9, 2020 Poem “Intramurals”

 


Intramurals
 
 
All up and down the quiet street, lights wink
off and on. Windows open and then close:
soft breath of houses. Days flow like ink.
Birds are thrilled. Buds form on our glauca rose.
 
Quiet reigns in the mostly silent streets.
I read that seismologists note worldwide
how reduced human hum reveals world beats
unheard before we chose to move inside,
 
agreed seclusion was a social gain,
could flatten curves of infection and death.
At first, we felt relief. Then mounting pain
of separation. And now? We find sweet breath
 
each morning, find peace within our own walls,
listen to morning wisdom of bird calls.
 
 
Leslie Schultz

April 8, 2020 Poem “Howling”

 


Howling
 
Not the wind knocking branches against the eaves,
Nor wolves, for they are far, far to the north.
Just the small echo chamber of my heart,
 
Voicing this pain I hear, this pain I see,
Twisting shimmers of inherited wroth
Polished and shaped for the distance of art.
 
There is power in voices shaped into song.
Our singing breath holds a gathering force.
Our sorrows must flow before they are spent,
 
Acknowledged before any grievous wrong
Can be set right. If the river’s course
Is dammed, its flow still presses, cannot relent.
 
Song helps to clear the silt, to sweeten the rue.
Our flowing breath can strengthen and renew.
 
 
Leslie Schultz

Regular readers of Winona Media might recall some these images. They inspired a NaPoWRiMo poem (April 19, 2017) called “Portrait of a Street Musician” and writing that poem helped me to learn from a reader what the instrument played was so long ago on a grey day in Paris.

This morning, I was thinking about breath and wondering about the tonal and other differences between singing and howling, or indeed whether the difference is only in our naming. Why that today? I don’t really know–gloomy weather, world strife, headache.

What I do know is that it helps me to engage, at least in my own way, to try to make something. To try to make sense.

Wishing you the solace of song today--Leslie