NAUGATUCK RIVER REVIEW Publishes My Poem, “A Valentine” in the Summer/Fall 2022 Issue

Cloud Heart Above 114 Winona Street

This week, the newest issue of Naugatuck River Review: A Journal of Narrative Poetry that Sings landed in my mail box!

I was immediately drawn to this cover art, a collage by Caitlin Rafferty of Foxboro, Massachusetts, called “Badinage.” I think of this word as meaning a kind of teasing repartee, sort of a Spencer-Tracy back-and-forth. At first, I thought the title of the piece referred to the fragments of text echoing the birch trees and table legs, a kind of conversation between trees, wood, and paper, perhaps. Then, when I read the about the other elements, where I expected to see “yarn” instead I read “embroidery thread.” Aha! The scale is smaller than I had realized–the whole piece only 10″ by 8″ and is even small than standard sheet of paper. This wit is actually a perfect objective correlative for the contents of this journal of narrative poetry, since each of the 62 poems by as many poets builds up an entire world within the miniature scale of a short poem.

As I write this, I am reflecting on the contents. I have read every one. All were skillful and made me think. Many, I know, are poems that I shall return to time and again. None were by poets already known to me. It was difficult to select only a few to call out, but I shall limit my spotlight to just six, less than 10 percent!

“Kalia” is by Roderick Bates of Vermont. It deftly draws the gentle exchange of world views between the speaker’s freshman roommate, a young Hindu man, and his mother, a proseltyzing Christian.

“The Stone Woman on the Seawall” by Texas poet Amanda Auchter gives eloquent voice to a sculpture memorializing the devastating hurricane that struck Galveston in 1900. The poem has added resonance due to our world’s accelerating extreme weather in 2022.

“You Were Skittish” by Lorraine Jeffery, a poet from Michigan, a poem about the connections and gulfs between humans and other animals, made me gasp and then tear up at its unexpected ending.

“Union Square” by Don Hogle, accomplished poet and dedicated traveler, holds a bittersweet image in its last lines that I don’t think I will ever forget.

“After Bishop” by Natalya Sukhonos, a poet and educator born in Odessa, Ukraine who grew up and currently lives in the United States. In this free-verse poem, Sukhonos alludes to and echos the elegaic mood of Elizabeth Bishop’s celebrated villanelle about loss, “One Art,” but makes the formal and personal landscapes all her own.

My favorite? If pushed to choose, I would go for “Reclaiming Your Inner Emily Dickinson” by Barbara Unger, recognizing my own rueful-joyful emotions regarding recent quarantine mandates. Ungar, an accomplished poet, translator, and teacher, gets the tone exactly right in this advice that speaks compellingly to my introverted nature.

I think that this issue of Naugatuck River Review is one in which the reader can safely and happily judge the book by its cover.

Homemade Valentine 2018

LESLIE

News Flash! THE MIDWEST QUARTERLY’S Summer Poetry Issue Is Out, and Contains My Poem “Wraith”

If writing a poem (or letting a poem flow through you onto the page) is like a flower blooming, then publishing a poem is akin to that flower being pollinated–visited–carried beyond where it is originally planted.

That is certainly my feeling when I look at the most recent cover of this journal I respect and enjoy. I am glad to have my own poem, “Wraith,” included among poems by people whose work I know, such as Ted Kooser (a hero of mine,) Dan Campion, and Allison Hicks, and by other poets with whom this issue of The Midwest Quarterly acquainted me.

Wishing you a late summer filled with lazy dreams and riveting reading!

Celebrating the Life of Elvin Heiberg, October 19, 1933 to June 7, 2022

Elvin Heiberg, February, 2022

This morning, the phone rang early. It was Mark Heiberg calling to tell me that Elvin had died, quietly and peacefully, earlier this morning, in his sleep.

Recently, Elvin had had a very trying few years healthwise. For the past few months, at his request, he had been in hospice care. His death was not unanticipated, therefore, but the loss looms large.

The Heiberg family has published his obituary today; a service is scheduled for Wednesday, June 15, 2022 at St. John’s Lutheran Church in Northfield. What follows is a personal remembrance posted with Mark’s permission.

As all who knew Elvin and his late wife, Corrine, are aware, they were both dedicated to Northfield and were also enthusiastic travelers. They met one summer in Glacier Park, and always enjoyed planning, taking, and reliving trips in the U.S., Europe, and to such far-flung places as New Zealand. Elvin, in particular, was fond of train travel–he even read train timetables for pleasure! After Corrine died, Elvin and I took a number of car rides around the Northfield area and spent many companionable hours as armchair travelers. Elvin had a large collection of travel slides (conveniently translated into DVDs by his sons) and it was great fun to hear about these trips. I began to be able to tell which images were taken by Elvin (panoramic vistas) and which by Corrine (close-ups of flowers and people.)

In planning for what turned out to be our last visit together, in February 2022, Elvin alerted me to be certain to look up when I arrived at the lobby of Orchards of Minnetonka where he was living. Why? Elvin was an enthusiastic vexillologist. He had lent some of his collection of flags to be displayed on the balcony in honor of the Winter Olympic Games.

Once I arrived at his assisted living apartment, we looked at slides of Norway and New Zealand, those mountainous landscapes that Elvin told me he loved the most. He wanted to continue on with one more country, but I could tell he was tiring even if he didn’t want to admit it. Always gracious, when I took my leave of him, he said, “We’ll meet again and talk of Switzerland.” When I got to my car, his words were echoing in my mind. I realized the line was a gift of perfect iambic pentameter. Before I turned the key in the ignition, I took out pen and paper and I wrote it down.

I am so very grateful to have known Corrine and Elvin Heiberg. They were kindness itself in welcoming Tim and me, and later Julia, to our neighborhood in Northfield. None of us will ever forget the many, many ways that they made us feel loved, made us feel at home. We are so thankful our lives intersected with their own.

Below are two poems that Elvin inspired this year.

LESLIE

Neighbors


Each morning, for months now,
I write a card and send it to Elvin
my old neighbor, now no longer
in Northfield. We talk on the phone, too.
Yesterday, he told me 
the Parkinson’s had advanced.
He awoke paralyzed, his heart
in his throat, afraid to swallow.

I send him image after image
of the old neighborhood
in fall glory. It is all
I can do, these semaphores
of affection, like hanging
bright cloths on the line
of days, hoping
never to reach the end.


Leslie Schultz
Birches Outside Orchards of Minnetonka
On Going


We’ll meet again and talk of Switzerland,
of trains and clear lakes and snowy mountains.

Twenty years neighbors, thirty years friends,
we’ve shared our stories. Now we join our hands.

You made a pleasant life with prudent plans.
You are ready for whatever Heaven sends—

to join your golden bride, Corrine, to stand
with her, in perfect memory again,

and walk without stumbling, fear, or pain
away from earth, into a higher plane:

this is our common journey’s charted end.
My train comes later, but we’ll meet again.


Leslie Schultz
Corrine and Elvin Heiberg, Bridge Square, July 2011

Newsflash! My Sonnet, “Wave of Departure,” is Included in the Spring 2022 Issue of THE ROAD NOT TAKEN: A JOURNAL OF FORMAL POETRY

The Road Not Taken: A Journal of Formal Poetry has just published Volume 16, Issue 1. Publishing fine formal poetry since 2007, this journal is a font of adept and interesting poems. Issues are published online, and they offer interested readers an easily accessible archive, chronologically arranged.

I am so pleased that they have included a sonnet, “Wave of Departure,” inspired by the ginkgo tree Tim and I planted almost twenty-three years ago in honor of Julia’s birth. The images below are of this tree.

For all you formalist poets out there, this lovely journal puts out three issues a year. Submission Guidelines are clear and specific, and submission periods are as follows:

Fall Submission Period:                    August 15th – October 15th
Spring Submission Period:                January 15th – March 15th
Summer Submission Period:             April 1st- June 15th      

I am sure you will enjoy looking at the current issue. Poems selected have been collected under the themes of “Safe Spaces,” “Satires,” and “Closures.”

Happy Reading! LESLIE

April 29, 2022: Spotlight on Gerard Manly Hopkins’s Poem, “Spring and Fall”; Background on My Poem, “Harvesting Enshrined Scraps”

Spring and Fall

to a young child

Márgarét, áre you gríeving
Over Goldengrove unleaving?
Leáves like the things of man, you
With your fresh thoughts care for, can you?
Ah! ás the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you wíll weep and know why.
Now no matter, child, the name:
Sórrow’s spríngs áre the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It ís the blight man was born for,
It is Margaret you mourn for.

This wise and well known poem by Gerard Manly Hopkins is one I have committed to memory. One of the advantages of growing older for me has not been so much to be colder in the face of triggers for sorrow than to understand them better and to allow them to arise and subside in their season. I don’t feel innured to life’s pain so much as being better fitted to endure it and even sometimes learn from it. What I really love about this poem is its music. Who else could have crafted the line “though worlds of wanwood leafmeal lie…”?

Background on My Poem, “Harvesting Enshrined Scraps”:

This month has been a time of looking through family photographs and deciding which to keep and which to release. It is not an easy process for most of us–assigning personal value to paper that carries no intrinsic value. Discoveries range from the delightful to the disconcerting. Perhaps the most valuable aspect for me is recognizing that everything (animate and inanimate) has a lifespan, and with periodic reviews it gets easier for me to recognize this and to act accordingly to release what is no longer alive with meaning for me. A form of telling time unavailable to the young, perhaps.

Wishing you a happy day, and a happy season! LESLIE