April Poems: An Experimental Twist for 2021

Pasque Flower, McKnight Prairie, 2020

Beginning in 2016, I have each year taken up the National Poetry Writing Month (NaPoWriMo) Challenge. Each April for the past five years, I have celebrated National Poetry Month by writing a new poem each day and then posting it here on my personal blog.

And I have loved doing this! I have learned so much–about poetry, about my own process and capacity as a poet, and about the world around me. I have gained confidence as a poet, and have exploded, for myself, at least, the myth of “writer’s block” for the lie that it is. I have also made some new friends in far-flung corners of the world. I am grateful to poet Maureen Thorson for facilitating this international enterprise since 2003, and invite you to take another look at her website dedicated to NaPoWriMo. (Perhaps you, too, would like to take up the challenge? If so, please let me know so I can cheer you on!)

And yet…almost from the first day of my participation, I have wrestled with an inherent conundrum, that of generating interesting and sometimes inspired work that is published before it can be revised and (possibly) submitted to journal editors for possible publication, since, perforce, it is already published on the day it is first hatched. Since 2016, I have written 150 poems, none of which would have come into being without the NaPoWriMo Challenge, many of which I would like to share with journal editors, but which are ineligible.

What to do?

Over the past year, I have dreamed up an experimental alternative. In 2021, I will again write one new poem each day in April. I will not, however, publish it here. Instead, for those who would like to read the new poems, I will share the poem via email. On this blog, I will share the context for the poem, any backstory and photographs that make sense.

If you would like to receive the April poems, one each day as they are written, please send me an email letting me know that before the end of March. My email is winonapoet@gmail.com.

I am cautiously optimistic about this approach. To test it out in advance, last fall I arranged to send a new poem each day for one week and a day (eight days in a row) to a poetry-loving friend. (Thanks, Beth!) The experience worked for me (though I missed some aspects of publishing the poem more widely and graphically and sharing the backstory.) I did write eight new poems. To date, one of these has been accepted by a journal and will be published this month. (More on that in a future post!)

Sometime after April, I will consider how it has gone from my point of view and will share that here. I would be glad to know, too, from your point of view, should you wish to share, how it is to receive the April poems as they are circulated privately, a modern way of sharing in manuscript form.

Meanwhile, on April 1–no joke!–let the games begin!

Yours in the spirit of poetry,

Tipton Poetry Journal Publishes My Poem, “White Flag”

I wasn’t able to figure out how to share an image of the cover of the Winter 2021 issue of Tipton Poetry Journal, published out of the poetic circles of Tipton, Indiana, so instead I am sharing a similar (but vintage) image from my small orbit here in Northfield, Minnesota.

I hope that you will take a moment to open the link below, though, not only to see the lovely image of the cover but to read the contents of this ingenious e-facsimile of a paper journal. (I love being able to turn the digital pages instead of scrolling down.) Naturally, I am delighted to see my poem about Edna St. Vincent Millay appearing in the new issue of Tipton Poetry Journal.

Image result for edna st vincent millay
This is the image of St. Vincent Millay that hung over my desk for many years, including my work desk back in the Carleton Development Office.

I have long been taken with the poetry of Edna St. Vincent Milly. (If you have ever used the expression “burning your candle at both ends, then you, too, might enjoy this four-line poem of hers, first published 101 years ago, in 1920.)

My own poem was inspired when my friend, Sally Nacker, (whose poetry and essay work is familiar to readers of Winona Media) returned from visiting St. Vincent Millay’s home in Steepletop, now the headquarters of the Millay Society, in Austerlitz, New York. Sally sent me a postcard of the poet’s writing studio and also shared the story of her relationship with her husband, Eugene Boissevain, who devoted his life to help her vocation as a poet.

This issue of Tipton Poetry Journal also contains diverse work by these poets:Tobi Alfier, Jonathan Bracker, Matthew Brennan, Simona Carini, Alan Cohen, Ken Craft, Michele Penn Diaz, Diane Glancy, G Timothy Gordon, Charles Grosel, Shakiba Hashemi, C.T. Holte, James Croal Jackson, Jennifer Ruth Jackson, Jerry Jerome, Michael Jones, Robert S. King, Mary Hill Kuck, Charlene Langfur, Bruce Levine, J. Lintu, Jack e Lorts, Ken Meisel, Karla Linn Merrifield, Theresa Monteiro, George Moore, Julie L. Moore, Cameron Morse, Thomas Osatchoff, Lynn Pattison, Akshaya Pawaskar, Nancy Kay Peterson, Timothy Robbins, Seth Rosenbloom, Michael Salcman, Hamilton Salsih, Sara Sarna, Leslie Schultz, Dave Seter, Mary Shanley, Raj Sharma, Michael E. Strosahl, James Eric Watkins and Diane Webster.

Dan Carpenter reviews Linda Neal Reising’s The Keeping.
Cover Photo:   “Snowman 2021” by Barry Harris.

Fun factoid: Sally took the author photo of me outside of the American Swedish Institute in Minneapolis.

Wishing you a fun if frosty day!

LESLIE

#faribofrosty