April 30, 2024 Last Thoughts

I wrote this poem, “Journey” away from home but thinking of it, this past weekend when we were staying for the first time overnight at our daughter’s house. Now we are back, in the place we first arrived in April of 1996, in the place where I feel more rooted than anywhere else on earth.

Traveling has its attractions, its benefits. It is most valuable, though, when one can return to the place journeyed from and see home afresh against the memory of other places. Below the poem are two snapshots from recent trips to Wisconsin in the past few days and, last, an image greeting us when we arrived home yesterday–something we planted years ago, blooming like never before, and a second poem, inspired by roots.

Journey


Michigan—Wisconsin—Minnesota.
My life’s stone has skipped over a great lake,
over the mightiest river, to land, 
plonk! in the middle of this green prairie.

Spring evenings bring the smell of manure
freshly ladled onto the farmers’ fields
just outside of town. You just get used to it,
think of growing corn instead of sewers.

Close to the house, flowering everywhere,
sturdy Siberian scilla paint green
grass over with washes of tiny blooms,
starry, sky-blue. It’s as if a glacial lake

had wandered, in flowing miniature,
into the garden, swallowed its center,
claimed this part-acre of river hill,
swirling here where I am planted, where I bloom.


Leslie Schultz

Thank you for your company on this month-long journey through April. Wishing you joy in the season ahead,

LESLIE

Snake Lily Bud
Advice from a Snake Lily

       for Ann Wilson Lacy


Don’t despair.

I was thrust into dark earth
like an upside-down lightbulb,
like a bad idea. Grub-white,
I was covered by thin, brown paper
no one wanted to read.

Relax.

I was shunned for a long, cold 
season but I did not cry. I dreamed
my involuted dreams
of sturdy roots and leaves
greener than money.

Wait.

I was not seduced by January thaws
or hurried by nudging earthworms.
I waited until my cue. Warmed awake,
that is when I knew. I made my entrance
by inches. No strip tease. An emergence.

In your moment, do not doubt.

This is my moment in the sun,
my chance to wave checkerboard blooms
like flags urging spring to race forward. 
I am not bright. I do not rise very high,
yet some who see me gasp in charmed delight.

You must dive up
into the world 
before you can dazzle it—
before you can leap
into who you really are.

Leslie Schultz (2017; included in Concertina)


April 29, 2024 Red Wing Arts Events: Poet-Artist Collaboration Yesterday & Poetry Reading on Sunday, May 5, 2024 from 1-3 p.m. at the Depot!

A true highlight of this National Poetry Month happened yesterday afternoon for me in Red Wing, Minnesota. I read my poem, “A Gesture of Peace,” at the juried 23rd annual Poet-Artist Collaboration hosted by Red Wing Arts. On a rainy April day, the rooms of the Depot were filled with light and color and energy and good will–and amazing art, both literary and visual, all in conversation with each other.

Leslie Schultz in Red Wing (Photo: Timothy Braulick)

Below is the text from my poem, along with a few snaps from the afternoon. The full-color chapbook for the event, featuring all the poetry and images of the visual art, and statments by poets and artists is splendidly designed and printed. Contact Red Wing Arts if you would like to purchase a copy–it is a lovely showcase and a keeper. And if you are in Red Wing, you can see the poems and art displayed, side-by-side, anytime the Depot Gallery is open, through June 9, 2024.

A Gesture of Peace
	For Kazuhiko Watase


My friend has been folding cranes.
Prayer flags of thin colored paper
transform under his fingers
into gentle shapes of longevity.

Walking in the mountains
above Albuquerque, he finds
dried cactus spines—light,
hollow, strong—brings them home.

Now he is threading a needle,
stringing lines of cranes 
into trembling flocks, each hanging
from the thinnest support,

each flock an aerial ballet
of yellow and blue birds fluttering—
like the silk of the Ukrainian flag,
alive in the war-tattered sky.


Leslie Schultz
“A Gesture of Peace Offering” by Sandy Bot-Miller

I was impressed by the design and great skill of Sandy Bot-Miller’s art, inspired by my poem, as well as by her words: “Ironically and sadly, I completed this weaving on the exact anniversary date that Russia invaded Ukraine two years ago. I primarily concentrated on using the symbolic and meaningful cultural blues and yellows in the Ukranian flag, as well as the folded origami crane shape, as I created a response to the poet’s “A Gesture of Peace” poem. The poet’s haunting, but moving, image of yellow and blue birds fluttering…alive in the war-tattered sky”is what I emotionally focused on while creating this 23-inch circular weaving.”

“Here and Gone” Sculpture in Aluminum and Granite by Jon Kamrath; in response ot William Quist’s poem “Behind You, Somewhere”
Poet Casey Patrick reading “I Wanted First to Tell You How Long It’s Been, But of Course”
“Blue Heron”; Watercolor on YUPO, by James Turner, in response to Patrick Cabello Hansel‘s poem, “The Great Blue Heron Blesses Powderhorn Lake”
Florence Dacey reading “The Last Garden”
“Porcus Spina”; Found Materials and Quills by Matt Quinn, in response to the poem “Harvesting Porcupine Quills–Road Kill” by Georgia Greeley

Upcoming Poetry Reading:

Next Sunday, I will participate in a reading with seven other poets who participated in the 2024 Poet-Artist Collaboration. I am so excited to hear more of each person’s work and to be able to share ten minutes of my own. The event will flow as follows: Introductions by Heather Lawrenz, Assistant Director of Red Wing Arts, and then readings by Paul Schaefer, Ira Frank,  Bill Quist, and Elizabeth Weir; following a short break, readings will continue with me, Jorie Miller, Walter Cannon, and then end on the high note, with poems by Joyce Sutphen. Joyce, a former Poet Laureate for Minnesota, was the poetry juror for the Poet-Artist Collaboration this year and opened yesterday’s event with a reading of one of my favorite poems, “Naming the Stars.” She is also the author of the poem on the banner displayed on the outside of the Depot, “Chickadees.”

If you can join us, that would be amazing! You can find directions on the Red Wing Arts website.

Joyce Sutpen, Poetry Juror, 2024 Red Wing Arts Depot (Photo: Timothy Braulick)

Along Red Wing’s river drive, I spotted this amendment to a traffic sign–some of my favorite graffiti ever. I hope today you spot some unexpected sign of love, hope, and peace. LESLIE

“Share the Love Amendment”, Red Wing, Minnesota (Photo: Leslie Schultz)
Leslie Schultz, Outside the Depot, Red Wing Arts (Photo: Timothy Braulick)

April 28, 2024 New Poem “Crusadering”

Highway 61 Revisited as a Comic Book Page (Photo: Leslie Schultz0
Crusadering
	for Lynn


No need for Gotham searchlights on the highway.
Full sun shines down upon this Batmobile,
this shiny purple pickup truck on its way
somewhere, with something epic to reveal.

“DKN1GHT” is stamped on plates from Dairyland.
The tailgate sports a spooky cityscape,
with cauled crimestoppers standing hand by hand, 
taller than buildings, masked, and wearing capes.

Silvery bats with outstretched wings adorn
the tailgate and the pristine trailer hitch.
A plushy Batman bounces up to warn
all evil-doers to supress the itch.

It costs a pretty penny, you could say,
to illustrate how crime will never pay.


Leslie Schultz

This weekend is all about traveling along the Mississippi River for us–to Trempeauleau and to Red Wing for family celebration and for poetry. This poem, written earlier this spring, was inspired by sonnets galore, by a trip to Winona that Tim and I took last July, and by my friend, Lynn, a poet who lives in NYC, the real Gotham.

I hope that your own journeys contain some unexpected sight before their safe conclusions!

LESLIE

Garden Paths in July 2023 (Photo: Leslie Schultz)

April 27, 2024 The Daily Astonishments of the Garden

Elizabeth Barrett Browning Daffodil in the Front Prairie on April 25, 2024 (Photo: Leslie Schultz)

At the beginning of National Poetry Month, I shared a garden photo, stark (just daffodil spears and a small heap of snow) but with the promise of things to come. Since then, the Siberian scilla have come and gone,

Our Back Garden on April 12, 2024 (Photo: Leslie Schultz)

and suddenly many new lives are unfolding. Today, I am glad to be able to share a few images of the current state of the garden.

Blue Violet and Elm Leaves (Photo: Leslie Schultz)
Red Violets (Photo: Leslie Schultz)
White Violets (Photo: Leslie Schultz)

Some of the garden denizens we planted (last year alone, a new ginkgo tree, five shrubs, and some two hundred bulbs) but many are volunteers, including the Siberian scilla and all the violets. On Thursday, we made some rustic trellises out of bamboo poles and planted some new seeds.

Seed Savers Seeds (Photo: Leslie Schultz)
Grape Hyacinths (Photo: Leslie Schultz)
Bleeding Hearts (Photo: Leslie Schultz)

Like putting words on a page, everyday and every season in the garden begins with a plan, a certain rhythm, but then takes off with a life of its own. I am consistently inspired by, in the words of Dylan Thomas, how “the force that through the green fuse drives the flower” drives the whole world, including me. It has done from my green age all the way to now, a time of golden harvest in many ways.

Here is one last image.

I hope you will see something amazing outdoors today, some image to gather and bring home to brighten your interior world. LESLIE

Garden Bouquet by Timothy Braulick (Photo: Leslie Schultz)

April 26, 2024 Newburyport Music Festival and the Melopoeiac PASSAGES CD

“Passages”–a compilation by Rhina P. Espaillat, Alfred Nichol, and John Tavano

As regular readers know, I am interested in the relationships between poet and other art forms, in how the works in one art form inspire or converse with each other. A few years ago, a friend, Beth Clary, gave me a copy of a remarkarble recording that draws connections between poetry and melody, that explores the ways in which sound and sense align: the country of “melopoeia.”

As Ezra Pound had it, “Melopoeia or melopeia is when words are “charged” beyond their normal meaning with some musical property which further directs its meaning,[1] inducing emotional correlations by sound and rhythm of the speech.”

In 2018, a trio comprised of poet Rhina P. Espaillat, poet Alfred Nicol, and composer John Tavano recorded a remarkable CD in their arts-rich city of Newburyport, Massachusetts called “Passages”. This recording was an outgrowth of the renowned Newburyport Chamber Music Festival, and a product of that vibrant arts community. The cover art, by Alan Bull, is from a painting called, “Memorial Day, Newburyport;” the graphic design was contributed by Elise Nicol; and the CD was recorded at Thomas Eaton Recording in Newburyport.

As you can see, the readings are shared by poets Espaillat and Nichol, and include not only their own poems but one each by A. E. Stallings and Richard Wilbur. The music is all performed by Tavano, and most is composed by him , but he also includes effective arrangements of “Packington’s Pound,” a British broadside ballad; “Somewhere Over the Rainbow,” by Harold Arlen and Yip Harburg; and “Yesterday,” by John Lennon and Paul McCartney.

Listening again recently to these many-layered recordings has made me more aware of the melodic qualities of individual words and of how much enjoyment I derive from the sound of language as well as its sense. In fact, while others might disagree, I conclude a poem requires at least as much attention to the sonic quality of the lines (the artistic deployment of such elements as rhythm and meter, alliteration, assonance, dissonance, and rhyme) as it does in its “reason” or arguement or sense.

While this is not a brand new thought for me, listening again to “Passages” makes me realize afresh that a large share of the joy of reading and writing (and memorizing!) a poem comes from sound itself.

I hope today that music, in any of its many forms, flows into your world, embellishing it and carrying you away, if only for a moment! LESLIE

(Photo: Leslie Schultz)