Tipton Poetry Journal Publishes My Poem, “White Flag”

I wasn’t able to figure out how to share an image of the cover of the Winter 2021 issue of Tipton Poetry Journal, published out of the poetic circles of Tipton, Indiana, so instead I am sharing a similar (but vintage) image from my small orbit here in Northfield, Minnesota.

I hope that you will take a moment to open the link below, though, not only to see the lovely image of the cover but to read the contents of this ingenious e-facsimile of a paper journal. (I love being able to turn the digital pages instead of scrolling down.) Naturally, I am delighted to see my poem about Edna St. Vincent Millay appearing in the new issue of Tipton Poetry Journal.

Image result for edna st vincent millay
This is the image of St. Vincent Millay that hung over my desk for many years, including my work desk back in the Carleton Development Office.

I have long been taken with the poetry of Edna St. Vincent Milly. (If you have ever used the expression “burning your candle at both ends, then you, too, might enjoy this four-line poem of hers, first published 101 years ago, in 1920.)

My own poem was inspired when my friend, Sally Nacker, (whose poetry and essay work is familiar to readers of Winona Media) returned from visiting St. Vincent Millay’s home in Steepletop, now the headquarters of the Millay Society, in Austerlitz, New York. Sally sent me a postcard of the poet’s writing studio and also shared the story of her relationship with her husband, Eugene Boissevain, who devoted his life to help her vocation as a poet.

This issue of Tipton Poetry Journal also contains diverse work by these poets:Tobi Alfier, Jonathan Bracker, Matthew Brennan, Simona Carini, Alan Cohen, Ken Craft, Michele Penn Diaz, Diane Glancy, G Timothy Gordon, Charles Grosel, Shakiba Hashemi, C.T. Holte, James Croal Jackson, Jennifer Ruth Jackson, Jerry Jerome, Michael Jones, Robert S. King, Mary Hill Kuck, Charlene Langfur, Bruce Levine, J. Lintu, Jack e Lorts, Ken Meisel, Karla Linn Merrifield, Theresa Monteiro, George Moore, Julie L. Moore, Cameron Morse, Thomas Osatchoff, Lynn Pattison, Akshaya Pawaskar, Nancy Kay Peterson, Timothy Robbins, Seth Rosenbloom, Michael Salcman, Hamilton Salsih, Sara Sarna, Leslie Schultz, Dave Seter, Mary Shanley, Raj Sharma, Michael E. Strosahl, James Eric Watkins and Diane Webster.

Dan Carpenter reviews Linda Neal Reising’s The Keeping.
Cover Photo:   “Snowman 2021” by Barry Harris.

Fun factoid: Sally took the author photo of me outside of the American Swedish Institute in Minneapolis.

Wishing you a fun if frosty day!

LESLIE

#faribofrosty

PROTECTIVE COLORATION by Poet David Jibson

I learned about David Jibson’s new book through this notice on the Third Wednesday Magazine website. Protective Coloration was published in 2020 by Kelsay Books. Knowing of Jibson’s work as an editor, I was very interested to see his work as a poet, and I was quite taken by the poems. To me, they seem to have some of the flinty music and fire of Robert Frost, combined forthright Midwestern tones, seasoned with the gaze of the film noir detective who misses nothing–not a twitch, a gum-wrapper, or a guilty shuffle–and something else, something that is all Jibson’s own–inventive, nuanced, surprising–a plain-spoken surface with dark and dazzling undertows.

As I read slowly through this collection, savoring each poem as though it were a tough-minded but lyrical short story, I encountered a parade of vintage tractors and the farmers who take pride in them, a delicate love poem to a long-wedded wife in the frozen mists of Niagara Falls, and a nightmarish realm called ‘Dark City.’ I was reminded of how much I like singer-songwriter Tracy Chapman. I was introduced to Shen Kuo, mathematician and ponderer of the heavens, from the Song Dynasty of China. I gained a glimmer of understanding of the appeal of Dmitri Shostakovich’s Symphony Number Eleven. I contemplated “Anna Karenina at the Beach” (a poem with a perfectly surprising ending.) And I imagined what it would be like to shovel snow with a laconic Robert Frost, call him “Bob,” and hand him his gloves and hat. Throughout this collection, I was constantly surprised into new insight and delighted by inspired phrases, such as this one-sentence stanza from the center of the short poem, “Pockets.”

"He walked on across a small stream
that wound through a pasture
of giant-eyed cows dressed
in their black and white pajamas."

Will I ever see a Holstein again without thinking of pajamas?

On Jibson’s author’s website, you can find information about his two previous collections: Poem Noir (Third Coast Press, 2014) and Michigan Gothic (Third Coast Press, 2014), as well as links to poems published in an array of journals, and also on his blog. To purchase your own copy of Protective Coloration, please go to the website link for Kelsay Books.

Meanwhile, to whet your appetite, and with the author’s kind permission, I share here two of my favorites from Protective Coloration. (Yes, it was hard to choose!)

Protective Coloration

The Walking Stick is indistinguishable from his habitat,
as is the Dead Leaf Butterfly, the Pygmy Seahorse,
the Tawny Frog-mouth of Tasmania and the Giant Kelp-fish.

So it is with the poet of a certain age, hidden in a corner booth
at the back of the cafe, as quiet as any snowshoe hare,
as still as a heron among the reeds.

This made me wonder about my own habitat, and my own habits.

A Word

Corn stubble in a frozen field,
some patches of snow
along the fence row,
maybe a crow or two.
There should be a word for this.

Yes. Yes, there should be. And now there is.

Wishing you the pleasures of looking, seeing, reading, and writing in these frozen days!

LESLIE