April 8, 2017 Poem “Barcelona”

NaPoWriMo 2017 April 8

Barcelona
 
I dream, from time to time, of Barcelona.
When the lakes are frozen and the engines won’t turn over,
when no letters from friends inhabit the mailbox
and my own words stick in my teeth,
when I can’t sleep or I sleep too much,
then I summon visions of Barcelona.

I know people who’ve been to Barcelona.
They leave the prairie towns of Minnesota,
fly into the dawn, then land at golden evening
on an azure shore of the Mediterranean,
ready to dine on octopus and saffron.
Sometimes they bring me back a small, bright trinket.

I have never been to enchanting Barcelona,
nor seen clay mushrooms soar cathedral-wise
(inspired ambition eternally unfinished);
I cannot pronounce my name in Catalan.
But I can imagine walking those sun-baked streets,
glazed mosaics glinting with shattered logic,

realigning scattered pieces in new pictures,
reminding broken hearts of future beauty.
It is good to have a place I will never go,
like Oz but better, a thriving foreign city,
where real life unfolds serene without me.
Sé que encanta Barcelona. Barcelona me encantó.

Leslie Schultz

(Image of Barcelonain mosaic from photo in the public domain)

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April 7, 2017 Poem: “At Home, after April the First”

NaPoWriMo 2017 April 7

At Home after April the First
(for My Great-grandmother, Katherine Hinman Williamson Schultz)
 
I remember 521 Broad Street,
that solid, brown, two-story house you built
with Emil, local pharmacist. Bridegroom
and bride, yet already quite adult,
were you—zaftig Edwardian thirty-
something—carried over the new threshold
into the hallway and polished music room?

Here is an invitation, on thick cream stock,
to your wedding. It floated for years around
that snug-built but lofty house on the bank
of the Menasha River, was somehow washed
here, to me, in the next century. And
another card announcing when town folk
could call. To announce your new rank

as a married woman, your calling card:
this one, the smallest, in thin gothic script.
A triplet of transformation. You grew
fifty years older there, went from plump to lank,
always loving (if not Emil) then a good joke,
a witty gesture or phrase turned neat,
even, Kate, when the joke was on you.

Leslie Schultz

Some years ago, I wrote a long post about this great-grandmother–part of a series of four–and there is a poem in my collection about the house she built that mentions her piano and her son and daughter-in-law. This morning, I realized, it was high time that she had her own poem.

Leslie

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April 6, 2017 Poem: “A Bowl of Blackberries”

NaPoWriMo 2017 April 6

A Bowl of Blackberries

Like its very distant cousin, the crisply alabaster lotus,
the blackberry sinks roots deep in moist sand and mud;
but instead of a long, pure, central shaft rising
to support a single porcelain-white bowl filled with calm light,
the blackberry unspools its prickling brambles laterally—
meters and meters of looping, minute red thorns
spun headlong on tough, green cables resistant to pruning, each burning
with a myriad of fruit. Some I now see resting here:
a heap of honeyed coals, and each one alive with embers,
clusters of summer fire, alight with understory
of blood-purpled cordial, precious as caviar or eyesight or
fireflies; like justice outpacing mercy, each delivering
its complex cluster of sweet but stinging juice
with the prophetic bitter wood of seed.

Leslie Schultz

This poem started from looking more closely at things I see every day in my dining room and kitchen. I went to bed last night and awoke dreaming of blackberries, lotuses, and light.

Hope your day is full of sweet surprises!

LESLIE

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April 5, 2017 Poem: “Maple, Sky, Clouds”

NaPoWriMo 2017 April 5

Maple, Sky, Clouds

White dappled blue, tapped by red—
looking up at the spring sky
upends my human head.
I don’t imagine I now can fly;

I feel as though I’m falling
into a welcoming well;
that something or someone is calling
or ringing a silver bell,

inviting me downward, and deeper
than I’ve ever ventured before—
Like Alice, I’m falling steeper
than the earth’s magnetic core,

and I’ll finally get to the bottom
of something I need to know,
where something waits, wise and solemn,
beneath this sweet vertigo.

Leslie Schultz

I find it both nerve-wracking and exhilarating to write a new poem and make it public on the same day. It helps if I regard it in a painterly way, as a sketch or a plein-air study. Today’s poem was inspired by these images I took yesterday in our garden, and, despite the formal differences, by the NaPoWriMo prompt inspired by Mary Oliver. (The NaPoWriMo site has a link to a rare interview with her.)

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April 4, 2017 Poem: “Rain on Mars”

NaPoWriMo 2017 April 4

Rain on Mars

They all say it’s impossible.
Our weather wizards agree:
it’s as highly implausible
as a mesmerizing story,

or blue wisps of lyric
glued to scaffolded iron,
some scrambled chimeric
with the head of a lion.

Cold spring time on Mars
blows with blossoms of rust.
When you reach for the stars,
what you’ll find is: just dust.

Those are the facts
for what they are worth.
For magical acts
down here on Earth,

if you’d rather ponder
how things might look,
then climb up over yonder,
and dive into a book.

Leslie Schultz

This sculpture, just a few blocks from my house, is one I see most days. It inspires me, and I have been contemplating a poem about it for many months. Not this poem!  A deeper, more reflective, true-science under-girded epic was what I imagined. This actual silly set of verses was inspired by the sculpture’s name and its siting. Perhaps I can write the one I imagine in the future.

Mars has long fascinated me, too. It was thrilling to send through NASA’s visionary program of poetry and probes, one of my haiku about the red planet on the MAVEN mission. And it was fiction–specifically reading Ray Bradbury’s classic, The Martian Chronicles, when I was in middle school–that ignited my imagination about the cosmos. Still not much of an astrophysicist, but I can identify Mars in the sky these days and tell a planet from a star.

Here on Earth, I feel very glad and so lucky to live in a place that values art and science–a place of the joy in liberal arts. This sculpture project, fourth one in a series created by students at the Northfield High School, was funded by a grant from the Southeastern Minnesota Arts Council (SEMAC) with money made possible by Minnesota’s visionary Legacy Amendment, and supported enthusiastically by the City and the people of Northfield.

So, today, if I can’t be Martian, color me Minnesotan!

LESLIE

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