April 11, 2017 Poem: “At the Theater: A Dream of Stars”

NaPoWriMo 2017 April 11

 

At the Theater: A Dream of Stars

I settle in the theater, in a seat on the aisle,
with a clear view to the stage.
Then a woman claims the seat just in front
of me. Well, now I can’t see! She must be seven feet tall
with good posture. She is wider than a doorway,
her hair dense with leaping curls. The only thing
missing is the straw hat with a feather or flower.

Somehow, I know she is wearing wrist-length, white
gloves.And polka dots. She listens intently, never whispering
to her companion, who is, maybe, the little man shot
from the cannon in another show. I crane my neck,
first one side, then the other, glimpsing the movie
in fragments. She has every right to be who she is
and where she is, but why am I here, so blinded? Then

I know: we are in a cave, both staring at Plato’s flickering
fire, she the movable wall between me and the cool
illusory flame. We are shadow puppets at rest. She
is the band of silhouette circling the planetarium’s
domed screen. I have only to look up or down or
elsewhere— into the roiling heart of me?—
and peer through the dark lens of poetry.

Leslie Schultz

Wishing you a day when new planets swim into your ken!  Leslie


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Postscript: Poet-Artist Collaboration XVI–A Celebration of National Poetry Month!

Tim and I traveled to Zumbrota, MN last Saturday evening for this year’s salute to National Poetry Month at the Crossings at Carnegie. Each year, a group of poets and artists are paired up through a juried process, and then they come together to meet; introduce and read the poems; and view and enjoy the resulting visual art inspired by the poems.

After fifteen previous such celebrations, Marie Marvin and her staff have this event down to a fine artistic science. Beginning with a potluck reception at Crossings gallery & shop, moving to the nearby State Theater (operated by the Zumbrota Area Arts Council) for readings by poets and comments by visual artists, and then back to Crossings for lively conversation and closer looks at the art pieces, this event has something for everyone. And it gets better every year!

This year, among the twenty-three pairs of literary and visual artists, Tim and I were pleased to see poets Christine Kallman (a Northfield neighbor, playwright, and Sidewalk Poet) and her daughter; to see poet Ken McCullough and his wife, playwright Lynn Nankivil,  friends from  Winona; and to meet new people including a multi-talented artist from Red Wing, Art Kenyon, and his wife, Kathleen. Art created a painting inspired by my poem, “Nomad’s Daughter” (originally published in Third Wednesday.) His comments, and our conversation afterwards, helped me to understand my poem better. I love what he did with the poem, taking it into a dimension I could never have imagined. Below are some photos of the evening, to give you a flavor of it.

I was excited to find the painting inspired by poem.

Tim and I snagged good seats for the main program.

I get to meet “my” artist, Art Kenyon. Having thought about one poem in depth this spring, he decides to take home my book, Still Life with Poppies: Elegies.

Below, impresario Marie Marvin, and I channel the energies of Broadway’s classic, Cats–especially appropriate since the musical is based upon T.S. Eliot’s poems in Old Possum’s Book of Practical Cats. Marie models one of the evening’s wearable artworks, a polar fleece hat and mittens combo designed by Lana Sjoberg and inspired by Mim Kagol’s poem, “Cat in the Garden,” while I wish I could really sing!

It was an unforgettable evening that still has us clicking our heels!

April 10, 2017 Poem: “Music So Loud We Can’t Hear”

NaPoWriMo 2017 April 10

Music So Loud We Can’t Hear
for Luke
(Joe Bonamassa Concert, March 18, 2017)

It’s as if all the thunder
and bison hooves
pounding over the Great Plains
for centuries,
the spiral winds turning
skies green, and
all the demon freight trains
who shriek across burnt horizons
have gathered here,
in Minneapolis, on stage
at the Orpheum Theater.

Thanks to Benjamin Franklin—
his kite and key and legacy
of innovation at G.E.—we
are temporarily deafened,
our ears sheared free
of their function, and
hearing itself driven deep
into our chests, nearing
the knocking of our own hearts
and even deeper, toward
the lost hell of Orpheus
himself, into the mineral
music of our very bones.

Now we’re tuned to a new key,
flung beyond anticipation
into agitated deep seas:
those inky blues of desperation.

Leslie Schultz

As you will know if you saw my post of March 20 this year, the Joe Bonamassa concert was a high water mark for me. I am still thinking about it, “hearing my memory” of it, and playing the CD I purchased that evening.

Here’s to those sharp peaks, moments of not-so-easy but profound listening!

LESLIE

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April 9, 2017 Poem “Nine Rooms”

NaPoWriMo 2017 April 9

Nine Rooms
            A Spiral Journey Around Our House as a Bagua

Enter through the central eastern front door. Notice here,
in this place of career, a mirror and, opposite, Spring Creek, framed
in ink-black and ever-flowing, with one black stepping stone just out of reach.

Step right, into the space of opening insight, where I write
seated on denim blue, inspired by photographs of swimming pools,
ancient azure carpet, the cerulean sky through high windows.

Next, a still-greening family tree, shelves overflowing with history,
family mystery, and poetry. Here live the documents, ancestor-images,
old letters and departed people’s diaries.

Furthest west, evidence of a rich life. A trio of purple stones,
the global window of the televised tribal life, windows into
a garden filled with the purpling clouds of evening.

Adjacent, that red compass point, anchors inner and outer worlds–a tall vase
in the garden stands in all weathers, on red bricks laid by us. Fame & name.
Inside, a huge glass cherry, lipstick-bright, on its own pedestal: fruit of career.

Balancing lone insight, pink with potential, the rosy dreams
only life with a partner can provide. Also the essential necessities—
from cook books to record books, umbrellas and washtubs—that make dreams real.

Fragrance of oranges in the kitchen. Orange of stove flame
and curried pumpkin. A busy room with four doorways.
Children’s art on the refrigerator. All the best comforts of home.

Travel on toward the dining table and our home school room.
We gather here together, friends. Thank you for your wisdom
and good will, the teachings you share, and every earned white hair.

Arrive here, in the center, the balance wheel of radiant health
governing all else. Here find the polished broomstick,
glowing lotus scroll, and fine pocket watch bathed in golden light.

And from this inward resting place, a flight
of stairs, curving up toward a pearly moon,
the next level of lively adventure.

Leslie Schultz

I have been inspired by the concentrated wisdom of the Feng Shui bagua for many years. I have read a lot and played around with the ideas surrounding “the Chinese Art of Placement.” As a quilter, the bagua reads not only as a compass for balanced life but as a classic nine-patch quilt square.

This is a collage I made in 2010 in honor of the 50th anniversary of the Northfield Arts Guild, part of a fundraiser for the NAG in which visual art was made, donated, displayed in local businesses, and then auctioned off.  My piece–a photography version of a quilt– was displayed for a time at Bierman’s Furniture Store on Division Street. I later made a true cloth quilt version to hang in my kitchen using the same fabrics. (Discerning readers will also note that the favicon for Winona Media is inspired by this piece. It was designed for me by a young artist, Teagan Cole.)

Here is a vintage photo of me with my softer, quilted version of the piece:

Thanks for hanging in there this month! Hope to see you tomorrow. Meanwhile, happy reading! Happy writing! Happy life!

E  S
L  I   E
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