Newsflash: My Poem, “Still Life with Poppies” is Reprinted in the Inaugural Issue of THE ORCHARDS

Orchard Tree

A few weeks ago, I received a surprising email.

Karen Kelsay, the poet who also publishes other poets’ work through Kelsay Books (including my own recent collection of elegies) let me know that she was launching a brand-new online journal called The OrchardsShe asked if she could reprint the title poem from Still Life with Poppies: Elegies.

My answer? Wow! Of course! Never before has a journal editor contacted me about reprinting a poem. Furthermore, everything Karen does has substance and beautiful finish.

The Orchards was published this week. It is, as I anticipated, sensitively arranged and beautifully presented. Each poem is a new surprise. A special delight to me was to read the wealth of sonnets as well as some villanelles that left me dazzled by the possibilities of these forms I love.

Karen plans to publish The Orchards three times a year. I am already looking forward to reading the next issue in December. Thank you, Karen!

LESLIE

(P.S. I took these photos of apple blossoms in Northfield, Minnesota, and the ones of the apples at an orchard in Maiden Rock, Wisconsin.)

Dress with Apple Blossoms

Rose and Wasp

Orchards Two

Enjoy some luscious poems!     LESLIE

Newsflash! Sidewalk Poems Come Home to Roost!

What a surprise we had this week! We walked out to see that the section of sidewalk in front of our house that’s been increasingly compromised by the walnut tree near the street had been cut out and removed. All that was left was a bit of concrete dust.

An Opportunity...

An Opportunity…

Because I have often visualized poems in the sidewalk in front of our house (as they have been appearing over the past five years in so many locations in Northfield), I called the City offices to ask if we might request poems in the new sidewalk in front of 114 Winona Street.The answer: Yes!!

With so many Sidewalk Poems available (here is a link to the City of Northfield’s official page for all things about Sidewalk Poems) it was difficult to choose. In the end, I asked for a poem I had written for the competition in 2015 and one that Julia wrote for the competition this year.  Two days later, here is what the poems look like:

Flowers Rusty Pump

Flowers Jazz

Writing a poem is often a solitary endeavor, but stamping them into the concrete requires many hands. We had a front row seat on August 2. What follows is a photo journalism tour of the process…

Trucks and Work Boots

Trucks and Work Boots

Hansen Concrete and Remodeling

Hansen Concrete and Remodeling

Tracy and Dillon Hansen

Tracy and Dillon Hansen

Jasper Kruggel and T. J. Heinricy of Northfield's Streets and Parks Department Deliver the Stamps

Jasper Kruggel and T. J. Heinricy of Northfield’s Streets and Parks Department Deliver the Stamps

Mike Sikel of Cemstone

Mike Sikel of Cemstone

Sidewalk Bobcat and Coneflower

Sidewalk Dillon Working

Sidewalk Jazz Stamp

Sidewalk Rusty Iron Pump Stamp

Sidewalk Rusty Installation

Sidewalk Rusty Iron Pump Wet

Careful Craftsmanship by Hansen Concrete

Careful Craftsmanship by Hansen Concrete

Sidewalk Final Touches

Margit and Aksel Stop By

Margit and Aksel Stop By

Margit and Aksel Get Closer

Margit and Aksel Get Closer

Aksel Tying a Strong Knot (Photo: Margit Johnson)

Aksel Helps Me Protect the Poems by Tying a Very Strong Knot
(Photo: Margit Johnson)

Sidewalk Finished

Sidewalk Jazz Wet

Sidewalk Cleaning the Stamps

This was an exhilarating day for me, and I am more conscious than ever of what it takes to do public art well–and how very worthwhile it is. Public art connects people in new ways, creating new community ties. It is just plain fun, too. Thank you to all who helped with this poem installation, and thanks also to the multitude of people (artist Marcus Young of St. Paul, the City Council of Northfield, the Friends of the Northfield Public Library, poets and people of Northfield, the staff and volunteers of the Southeastern Minnesota Arts Council, and the people of Minnesota who have supported the Legacy Amendment)–all of whom have a share in the dynamism of the Sidewalk Poetry in our hometown. You all do so much to make this city and state a wonderful place to make and encounter art. I cannot imagine living anywhere else!

Legacy Logo ColorFinal

Hope you find a little poetry in your day, everyday!   Leslie

P.S. I took a fifteen-second video with my iPhone and hoped to include it in this post, but the technicalities were a snag. If anyone has any tips on getting this kind of video (in Quicktime, I believe) into a WordPress post, I would welcome them!

Flowers Initials

A Poem in Process: #9–April 9, 2016

Number 9

Solace, But…
(In Memoriam David Hugh Porter)

It’s not everyone’s  cup of tea,
The elegy—
Part dirge, part sea chantey—
Poetry
With music of melancholy,
Soul’s threnody.

Leslie Schultz

At the outset of this thirty-day embarkation, I promised to post “the catch of the day.” Now, on the ninth day of this National Poetry Writing Month Challenge, as David Porter himself, knowing poems are sometimes called “complaints,” might have said,” Here the kvetch of the day”.

Nine is a number that symbolizes completion, and I am dedicating this post to the most complete life I have witnessed. David died suddenly, in medias res, on March 26. I spent yesterday afternoon rereading his obituary, “Death of a Renaissance Man” and then watching his memorial service in real time, streamed from Skidmore College where he was president emeritus. For those of you who did not cross paths with him in life, both the obituary and the video clip of the memorial service will help you make his acquaintance.

When I mutual friend emailed me news of his passing a week ago, I was taken by surprise, not only by the news, but by how bereft I felt. I worked with David and his second wife, Helen, for only a bit over a year, when I was a new hire in the Carleton College Development Office. Then he was a professor of Classics and Music (a rare double appointment) and had just been made Carleton’s interim president during the search for Robert Edwards replacement and Helen was in charge of the president’s office. New to my job, which took me regularly to them for guidance or signatures, I came to treasure Helen’s calm and experience (and eagle eye for textual error and self-deprecating humor) as well as David’s infectious zest for life in all its dazzle, puzzle, beauty. His twin capacity for happiness and hard work impressed themselves deeply upon me.

After that year, I never crossed paths with David or Helen again in person, but I treasured their annual Christmas letter filled with family news, updates on professional and artist projects, and the verbal gracefulness punctuated by puns.

Isn’t it amazing? I know I was changed–forever and for the better–by a little time in this rare person’s presence. I got a little glimpse of what a human being is capable of becoming–the fun of that enlargement and greatness of spirit. And in the aerial photograph of those touched by his life–a cast of thousands and thousands, surely–I am a tiny dot on the very margin, possibly outside the frame.

David Porter embodies for me the spirit of the liberal arts, the way in which as the individual is enriched through striving, learning, insight, and understanding, so too, at the same moment, the world is a richer place.

Thank you, David, for your gift of being fully, utterly yourself and for generously sharing yourself with everyone you met, including me.

Leslie

Poem in Progress: April 8, 2016

Number 8

Janus

You know how it is. You see an image,
maybe two saguaro catci leaning
toward each other, friendly, framing
a low orange sun. Automatically
you think “here is the southwest” because of
Arizona, state of the arid zone,
because the sun sinks just past it, nightly,
past the Golden Gate, into the sea.
Yet, can we ever be sure of what we see?
The sun could easily be just rising,
an objective camera pointing east.
All we can know, certainly,
is that truth travels like the sun
and so, it seems, do we.

Leslie Schultz

(This poem is inspired by a book called The Sky Islands of Southeast Arizona by Kate Crowley and Mike Link (Voyaguer Press; Stillwater, MN; 1989)

Poem in Progress: April 6, 2016

Number 6

Meditation on Time

Our lives must live forward,
it is said, as though walking
step by step

toward a mirage.
Footprints of sand behind.
Thirst in the mouth.

What is concocted
in the blackened kitchens of history
we all must eat.

And yet, each of us
takes a different portion,
a set of tastes.

The past interpenetrates
the now, as if thin sheets
of sedimentary rock—

that geological clock
of our planet—were
arched and shuffled

anew for us each,
dealing us different hands,
elements we must deal

with, then finally discard.
What is cooked up
in the blinding kitchens of history

we must all digest.
Death is the fast we abhor
and, at last, long for.

Trident time: blue morpho,
both wings beating
against a field of blue sky.

Leslie Schultz

Yesterday was icy and rainy here, and I spent most of it reading non-fiction: Love, Amy: Letters of Amy Clampitt, edited by Willard Spiegelman and American Ghost by Hannah Nordhaus. Both works grapple, each in its own way, with how the past–always imperfectly remembered or reconstructed–informs but cannot completely predict the unfolding of the here and now.

Yesterday, I also wrote this lighted-hearted poem just after my yoga practice.

A Holey Prayer Rug

It’s when I wonder where I’m at
That I unfurl my yoga mat.

Although it’s tattered like a tarp, it
Has become my magic carpet.

On it I fly that sense of doom
That seeks me daily in my room;

No matter muscles—ached and pained—
My inner poise can be regained.

No matter where my thoughts have flown
I chant, become one perfect tone.

Leslie Schultz

Until Tomorrow!

Leslie