New Wine in Intriguing New Bottles

Wine Light 10

It all started almost as an after-thought…and turned into two fraternal twin posts on wine, a subject on which I know very, very little…

One day this month, on my way home from doing a string of errands, I thought I would try to replace the now-empty bottle of Côtes du Rhône, a delicious French red wine given to  us last month by a friend. I stopped at one of the local places, Firehouse Liquor in Dundas.

Wine Firetruck

Once in side, for once not in a hurry, I wandered a bit. I didn’t find exactly what I was looking for, but the helpful staff did point me toward the South African salute to Côtes du Rhône when I finally asked for what I had come in to seek. That bottle made me laugh out loud when I saw it, and, knowing we were having a Capricorn dinner guest the next day, I bought it on a lark, for the label.

Now, I have never bet on a horse race, but if I did, I suspect my money would go on the horse with the name I like best. What I know about viniculture could fit in a teaspoon, and I sometimes have purchased a wine due solely to the appearance of the label’s name and graphics. (Results have been mixed. If it is too sweet, tinny, biting, or sharp, then one sip is all it gets.) Even with books, a subject in which I have immersed myself for decades, I have sometimes been seduced in to judging a book by its cover. (Again, with mixed results: happy spontaneous discoveries balanced by impulsively acquired literary equivalents of sand bags to be discarded at the earliest opportunity.)

Dionysus

And yet, at least since the god Dionysus sailed into view of the Greek coast, sponsoring maenadic cults and sharing Apollo’s temple at Delphi, wine has been part of western culture, western story-and-myth making. Without it, we wouldn’t have Homer’s immortal metaphor, “the wine-dark sea”. (This line resonates for me not only with classical allusions but with the memory of being a giddy-headed tweeny-bopper — a few years after my wild fan love of Barnabas Collins and Dark Shadows — in Melbourne, Australia, memorizing all the lyrics to the rock-opera “Jesus Christ, Superstar” and rippling out to purchase the first album of Australian cast member Jon English: “Wine Dark Sea”. There, I admit it — I have always had a weakness for the craggy, Byronic, goatish, bad boy on the scene. In vino veritas. But I digress…)

As I looked closely at the offerings from today’s vintners, I was struck by two strands or story lines emerging from the standard labels identifying vintner, grape, region, and alcohol content: the dark, brooding, and even macabre; and the light-hearted, whimsical, and friendly. Both used clever names, eye-catching graphics, and succinct back stories to attract buyers. Vampires are back in literary vogue, and so are goth-inspired wine appellations. Yet this is also an age of domestic fiction, and that, too, is reflected back on new wine labels with a softer side.

Here is a short photo “tasting” of these visual decoctions, beginning with the dark side:

Wine Dark 10

Wine Dark

Wine Dark

Dark and Light

Even the boxed wine sometimes follows this trend…

Wine Dark 11

Followed by the gentler, softer, lighter side, sometimes lady-like, sometimes girly:

Wine Light 7

Wine Light 8Wine Light 11

Wine Middle Sister Story

Wine Light 2

Wine Light 6

Wine Light 5

Wine Light3

In addition, there is also the simple and relaxing eye candy of the colorful labels:

Wine Light 4

Light 9

Wine Light 13

Wine Pear

Wine Angels

Was I imagining these trends? Or had I just been inattentive before? Sean Adams, owner of Firehouse Liquor since 1983, confirmed what I had been seeing. “The tendency toward weird or amusing names goes back at least ten years,” he noted. “But there has been a great improvement in the quality of the wine behind those names. A catchy new name or logo isn’t enough any more. People are more discriminating about taste, too.”

One of my favorite bits of packaging is this bottle:

Wine Dark and Light

This combines the dark red wine and the frightening name “Predator” with a cute logo of a voracious “good” garden predator, the ladybug.

Another wine that made me think was this one:

Wine Dark 3

This Australian wine borders on the gallows humor but with more historical acumen that most. While our family elected to spend two years as immigrants to Australia, most of the original “settlers” (from 1788 to 1868 ) were “transported”, that is, given the choice of a long and uncertain sea voyage to the Australian penal colony or a short, dead-certain cart ride to their local gallows hill. If convicted of any one of nineteen more minor violations of ‘Bloody Code’ of British law back then (which listed 222 crimes deserving of the death penalty), this choice might have been yours. As the wine label summarizes “Nineteen crimes turned criminals into colonists….This wine celebrates the rules they broke and the culture they built.”

Milwaukee Fire Engine Sign

I also learned that Firehouse Liquor hosts monthly wine-tasting events, and the reactions of customers influence what ends up on the store shelves. The next one scheduled is on Monday, December 15, 2014 from 2:00 to 7:00 p.m. During that time, all wines in stock are on sale for 15 percent below their shelf price.

In talking with Firehouse Liquor staff, I looked more closely at local wines.

Wine Minnesota

I decided to buy a bottle of this 100% cranberry wine from the Chisago Lakes Area north of the Twin Cities for Thanksgiving. The clear, light color and the tartness of cranberries might go very well with the turkey tenderloin Tim has planned.  Here, too, I was drawn into the story behind the logo: the honeybee represents the Peterson family’s heritage as producers of fine honey, and the vineyard itself is “where four generations of Petersons continue to live, work, and play.”

Wine Cranberry

This focus on local wine at my local liquor store got me thinking. I asked a staff person whether the local wine was any good, and was told that, yes, it often was very good. She pointed out the offerings of Cannon River Winery in Cannon Falls, Minnesota. Had I ever been there? No? “Oh, it is a wonderful place! You should go!”

I knew where it was. I had seen the mural on the outside of the building but I had never been inside. More meandering?  I pulled my car over on the way home to phone Tim. Tomorrow was a Saturday. Would he like to consider a field trip? He would!

And so, this unplanned post on wine turns into a pair of posts, since that field trip deserves its own space. Here is a preview of coming attractions:

Wine Coming Attractions

 Until the next post, wishing you well!

Signature Maple Leaves

Poems By Heart: On the Valuing of Memorizing

Hearts from Branches

When the days shorten and grow chill, I turn to knitting, quilting, and crossword puzzles. The other day I was working on a  puzzle (‘My Stars!’ by Charles M. Deber, originally published in The New York Times.) Hmmm….what was a five-letter word for the clue ‘Commit to memory’? The answer was: ‘learn’.

What does it mean to learn something?

When I was in grade school,( classically the ‘grammar stage’of development when memorization was stressed) memorizing facts or poems–learning things “by heart”–was pedagogically passé.  I, have, however, always felt that, contrary to fashion, learning a few selected things by heart was the gold standard. Naturally, I don’t mean simply mean the ability to parrot without understanding. Instead, I mean that there is a confidence in being absolutely certain of a particular bit of material that can then anchor new explorations and the creation of new work.

 

Ice Heart and Shoe

Personally, I have found value in memorizing many different kind of material, from the Pythagorean theorem, the colors of the rainbow, and the books of the Old and New Testaments to the U.S. presidents in chronological order. What I most enjoy memorizing (and repeating over and over in odd moments) are poems I love.

I have been memorizing poems my whole life, beginning (like most of us) with nursery rhymes, moving on to proverbial sayings, and song lyrics and such poems as relatives had memorized. My father recited “The Cremation of Sam McGee” by Robert Service with gusto, and my sister can still recite it, a breakneck speed, in under a minute. Later, in high school, I began making the effort (thanks to all my English teachers) to memorize poems. It is a practice I have continued fitfully ever since. For several decades, I had a file folder (an actual blue paper file with sheets of typewritten paper in it!) labelled “Solaces: Poems Committed to Memory”.

Heart Graffito

This year, I expanded to a three-ring binder, and I included copies of poems I have securely in my ‘neural anthology’ as well as those I have about three-quarters of but still need some work. (I have found that many of the longer poems require periodic polishing to remain clear, but once something is truly learnt by heart then it doesn’t take much to brush up. The oftener it is reviewed, the more reliably it can be called up. Some frequently revisited  favorites are as deeply engraved as the Pledge of Allegiance.Heart Notebook

The majority of the ones I have memorized are formally structured using rhyme and meter.

Why do I do this? What is the point? Pleasure, primarily. I am intrigued by why my brain responds to language poetically patterned, and I keep coming back to this ground-breaking research, The Neural Lyre, first published in 1983 in Poetry Magazine, by Frederick Turner and Ernst Pöppel. Are we, I wonder, hardwired to respond to musical language? If so, why? And I am fascinated by more recent research that suggest memories of music and poetry can still be accessible after other problems remembering facts arise.

As my hearing becomes (ever so slightly) less acute and my eyesight needs (just a few) props — so that’s why my Condensed Oxford English Dictionary came equipped with a little drawer and a huge magnifying glass! — I know there is a chance I might, one distant day, become unable to enjoy reading, viewing a film, sewing, taking in an exhibit of art, hearing a lecturer, or listening to music. If that day ever comes, I plan to deepen my practice of breath work, explore the textures of flowers and vegetables and fruits, and continue to explore the contours of poems I have safe in my heart.Heart of Tar

Below is my ‘life list’ of poems. The ones with asterisks are Recite On Demand. The others are, shall we say, Under Construction.

In future posts, I plan to share insights I have had about specific classic poems that I could not have had without the experience of committing them to memory; techniques for memorizing that have served me well; and a few stories, of my own and of others, of moments when the ability to call a poem to mind has been a valuable thing.

For now, I invite you to let me know if there is a poem you particularly cherish, or if you have thoughts on the merits of memorization generally — what do you know by heart? If you want to hold my feet to the fire, next time you see me you can ask me to recite an asterisked poem–I would love it if you have a poem to recite, too.

Heart Leaf

Poems Memorized (*) and Becoming Memorized         November 2014

Leslie Schultz
“Twilight at Tenney Park”*
“Gilbert’s Hobby”*
“Visage”
“Herodotus”

Robert Francis
“Sheep”*

Emily Dickinson
“441  This is my letter to the World”
“712  Because I could not stop for Death”
“445  They shut me up in Prose”
“656  I started early, took my dog”*
“249 Wild nights, wild nights”*
“254 Hope is the thing with Feathers”*
“341 After great pain”*
“288 I’m Nobody. Who are you?”*
737 “The moon was but a chin of gold”
“214 I taste a liquor never brewed”

Robert Frost
“Provide, Provide”
“Stopping by Woods on a Snowy Evening”*
“Design”
“Fire and Ice”*
“Acquainted with the Night”
“Nothing Gold Can Stay”*

William Butler Years
“No Second Troy”
“Lines Written in Dejection”*
“The Circus Animals’ Desertion”
“Among School Children”
“Sailing to Byzantium”
“The Wild Swans at Coole”*
“An Irish Airman Forsees His Death”*
“The Second Coming”
“The Lake Isle of Innisfree”*
“When You Are Old”
“Who Goes with Fergus?”*
“The Magi”
“A Coat”*
“The Scholars”*
“To be carved on a Stone at Thoor Ballylee”

William Shakespeare
“116 CXVI Let Me Not to the Marriage of True Minds”*
“29 XXIX When in Disgrace with Fortune and Men’s Eyes”*
“73 LVIII That Time of Year Though Mayst in Me Behold”*
“130 CXXX My Mistress’s Eyes are Nothing Like the Sun”*

Gerard Manly Hopkins
“Spring and Fall to a Young Child”*
“Pied Beauty”

William Wordsworth
“I Wandered Lonely as a Cloud”* (often cited as “Daffodils”)

Richard Wilbur
“Two Voices in a Meadow”*
“Advice to a Prophet”

Wilfred Owen
“Dulce et Decorum Est”
“Arms and the Boy”

Ronald Wallace
“Fathers and Daughters”*

Arthur Guiterman
“On the Vanity of Earthly Greatness”

Sarah Norcliffe Cleghorn
“The Golf Links”*

William Blake
“A Poison Tree”
“The Sick Rose”*
“They Tyger

T.S. Eliot
“The Magi”
“The Song of the Jellicles”
“The Love Song of J. Alfred Prufrock”

Carl Sandburg
“Fog”

Edna St. Vincent Millay
“Oh, Burdock”*

Alfred, Lord Tennyson
“The Eagle”
“Ulysses”
“The Lady of Shallot”

George Gordon, Lord Byron
“She Walks in Beauty”

Percy Bysshe Shelley
“Ozymandias”

Thomas Lovell Beddoes
“A lake”*

Rosalia de Castro
“Black Mood”*

John Keats
“On First Looking into Chapman’s Homer”

Mary Oliver
“Wild Geese”

James Wright
“A Blessing”
“Hook”

A.E. Houseman
“Loveliest of Trees, the Cherry Now”

Robert Herrick
“Upon Julia’s Clothes”*

Robert Southwell
“The Burning Babe”*

Richard Lovelace
“To Althea, From Prison”

Gold Heart

Heart Burning Bush

Until another Wednesday, wishing you well!

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