Poem in Process: #10–April 10, 2016

Number 10

Where I Live

My grandmother had a silver teapot.
It grew black inside and out,
So she had it dipped in a bubbling vat
Of chrome, from base to spout.

It never needed polish then
Or any special tender care,
And she could spend a lot more time
Combing and combing her brittling hair.

One cannot tend to everything.
I know I have to pick and choose
Among the things with shine I love
And those I’ll really use.

But magpie words! Those ones I hoard,
The ones I find and love the best,
I’ll use their gleam and chainmail strength
To weave a place to live: this nest.

Leslie Schultz

This kind of poetic structure, the simple ABCB quatrain, is the first form I used when I started writing poetry at age eight, although I believe that the first form I encountered was the couplet. Remember this?

“In an old house in Paris, that was covered in vines,
Lived twelve little girls in two straight lines.”

They are, of course, the immortal opening lines to Madeline by Ludwig Bemelmans, 1939. I probably feel about them the way ancient Greeks felt about Homer’s opening lines in the Iliad. Instantly, their incantatory quality summons me to a different place, a hyper-real place of story, a realm where the littlest person is fearless, kind, strong, and brave.

Today I am thinking of the of how my life is built of words as much as out of material substances like molecules of air or water or food. I am also watching the intent activity of birds in our back garden–robins, wrens, crows, and swallows–as they seek material to build their nests, singing or scolding or advising the entire time.

Some words I am enchanted with at the moment, for no particular reason:
Scabbard
Starboard
Vellum
Pleached
Hornbeam
Vertiginous
Sump

I would enjoy knowing if you have any current favorite words at the moment–and, if so, do you simply savor them or do you find them useful?

Until tomorrow!

Leslie

A Poem in Process: #9–April 9, 2016

Number 9

Solace, But…
(In Memoriam David Hugh Porter)

It’s not everyone’s  cup of tea,
The elegy—
Part dirge, part sea chantey—
Poetry
With music of melancholy,
Soul’s threnody.

Leslie Schultz

At the outset of this thirty-day embarkation, I promised to post “the catch of the day.” Now, on the ninth day of this National Poetry Writing Month Challenge, as David Porter himself, knowing poems are sometimes called “complaints,” might have said,” Here the kvetch of the day”.

Nine is a number that symbolizes completion, and I am dedicating this post to the most complete life I have witnessed. David died suddenly, in medias res, on March 26. I spent yesterday afternoon rereading his obituary, “Death of a Renaissance Man” and then watching his memorial service in real time, streamed from Skidmore College where he was president emeritus. For those of you who did not cross paths with him in life, both the obituary and the video clip of the memorial service will help you make his acquaintance.

When I mutual friend emailed me news of his passing a week ago, I was taken by surprise, not only by the news, but by how bereft I felt. I worked with David and his second wife, Helen, for only a bit over a year, when I was a new hire in the Carleton College Development Office. Then he was a professor of Classics and Music (a rare double appointment) and had just been made Carleton’s interim president during the search for Robert Edwards replacement and Helen was in charge of the president’s office. New to my job, which took me regularly to them for guidance or signatures, I came to treasure Helen’s calm and experience (and eagle eye for textual error and self-deprecating humor) as well as David’s infectious zest for life in all its dazzle, puzzle, beauty. His twin capacity for happiness and hard work impressed themselves deeply upon me.

After that year, I never crossed paths with David or Helen again in person, but I treasured their annual Christmas letter filled with family news, updates on professional and artist projects, and the verbal gracefulness punctuated by puns.

Isn’t it amazing? I know I was changed–forever and for the better–by a little time in this rare person’s presence. I got a little glimpse of what a human being is capable of becoming–the fun of that enlargement and greatness of spirit. And in the aerial photograph of those touched by his life–a cast of thousands and thousands, surely–I am a tiny dot on the very margin, possibly outside the frame.

David Porter embodies for me the spirit of the liberal arts, the way in which as the individual is enriched through striving, learning, insight, and understanding, so too, at the same moment, the world is a richer place.

Thank you, David, for your gift of being fully, utterly yourself and for generously sharing yourself with everyone you met, including me.

Leslie

Poem in Progress: April 8, 2016

Number 8

Janus

You know how it is. You see an image,
maybe two saguaro catci leaning
toward each other, friendly, framing
a low orange sun. Automatically
you think “here is the southwest” because of
Arizona, state of the arid zone,
because the sun sinks just past it, nightly,
past the Golden Gate, into the sea.
Yet, can we ever be sure of what we see?
The sun could easily be just rising,
an objective camera pointing east.
All we can know, certainly,
is that truth travels like the sun
and so, it seems, do we.

Leslie Schultz

(This poem is inspired by a book called The Sky Islands of Southeast Arizona by Kate Crowley and Mike Link (Voyaguer Press; Stillwater, MN; 1989)

Poem in Progress: April 7, 2016

Number 7

Complements

Forsythia suspensa

brighter than sunlight—
high folded blossoms chatter
perched on wet black twigs

Forsythia

Scilla siberica

bluer than water—
pooling blooms wash these green lawns
tide rising each year

Leslie Schultz

Scilla Pools

Always coming before the leaves arrive, just when we Minnesotans are starved for color, these color wheel botanical opposites thrill and cheer me. This year our back garden is especially lush. (Tim and I agree that on that mythical day when our ship comes in we will celebrate by buying 1,000 new scilla bulbs to colonize the front garden which currently has only one handkerchief-sized patch.) I would also like to plant our own forsythia someday. (I am inspired by ones on our street and dazzled by the ones I saw–glimpsed at in this photograph–recently in Bryn Mawr, Pennsylvania.)

Until tomorrow!  Leslie

Poem in Progress: April 6, 2016

Number 6

Meditation on Time

Our lives must live forward,
it is said, as though walking
step by step

toward a mirage.
Footprints of sand behind.
Thirst in the mouth.

What is concocted
in the blackened kitchens of history
we all must eat.

And yet, each of us
takes a different portion,
a set of tastes.

The past interpenetrates
the now, as if thin sheets
of sedimentary rock—

that geological clock
of our planet—were
arched and shuffled

anew for us each,
dealing us different hands,
elements we must deal

with, then finally discard.
What is cooked up
in the blinding kitchens of history

we must all digest.
Death is the fast we abhor
and, at last, long for.

Trident time: blue morpho,
both wings beating
against a field of blue sky.

Leslie Schultz

Yesterday was icy and rainy here, and I spent most of it reading non-fiction: Love, Amy: Letters of Amy Clampitt, edited by Willard Spiegelman and American Ghost by Hannah Nordhaus. Both works grapple, each in its own way, with how the past–always imperfectly remembered or reconstructed–informs but cannot completely predict the unfolding of the here and now.

Yesterday, I also wrote this lighted-hearted poem just after my yoga practice.

A Holey Prayer Rug

It’s when I wonder where I’m at
That I unfurl my yoga mat.

Although it’s tattered like a tarp, it
Has become my magic carpet.

On it I fly that sense of doom
That seeks me daily in my room;

No matter muscles—ached and pained—
My inner poise can be regained.

No matter where my thoughts have flown
I chant, become one perfect tone.

Leslie Schultz

Until Tomorrow!

Leslie